2024-03-28T15:52:04Z
https://nagoya.repo.nii.ac.jp/oai
oai:nagoya.repo.nii.ac.jp:02002398
2023-01-16T05:15:01Z
326:521:2363:1650244603274
ガラス空間と視覚の近代化 : 北原白秋・木下杢太郎作品における「温室」のモチーフを中心に
Glass Covered Space and Visual Modernity : Focus on the Motif of “Greenhouse” in Kitahara Hakusyu and Kinoshita Mokutaro’s works
吉原, 万里矢
YOSHIHARA, Mariya
open access
温室
ガラス
視覚の近代化
北原白秋
木下杢太郎
greenhouse
Glass
Visual Modernity
Kitahara Hakushū
Kinosita Mokutarō
This paper explores what kind of imagination the new space of the greenhouse has aroused from the literary text, and clarifies what kind of perception was organized in the space. First, in the greenhouse, a gaze is formed toward the pursuit of visual pleasure, similar to an exposition, and the imagination that connects women and plants equally as spectacles is aroused. However, on the other hand, Kinoshita Mokutarō’s “Greenhouse” depicts a situation in which a male subject cannot unilaterally look at the subject. The disturbance of the binary opposition of subject / object is also shown in Kitahara Hakushū’s poem “Weed Garden”. The sensation of the disappearance of the boundary between the outside and the inside of a greenhouse extends to the interpenetration of the public realm of the city and the private realm of the mind. The greenhouse, which blurs the boundary between the inside and the outside, was the best space for the impression poem that Hakushū aimed at.
名古屋大学大学院人文学研究科附属超域文化社会センター
2022-03-30
jpn
departmental bulletin paper
VoR
https://doi.org/10.18999/juncture.13.110
http://hdl.handle.net/2237/0002002398
https://nagoya.repo.nii.ac.jp/records/2002398
10.18999/juncture.13.110
1884-4766
JunCture : 超域的日本文化研究
13
110
120
https://nagoya.repo.nii.ac.jp/record/2002398/files/juncture_13_110.pdf
application/pdf
1.2 MB
2022-04-18