@article{oai:nagoya.repo.nii.ac.jp:00011063,
 author = {滝川, 睦},
 journal = {名古屋大学文学部研究論集. 文学},
 month = {Mar},
 note = {This paper is intended as a  historical investigation of two features of Coriolanus,i.e. his vagrancy and anxiety for  effeminization,taking the hero's theatricality into consideration.  It is clear that the audience of the first performance of Coriolanus must have recognized the close connection between vagrancy and theatricality stipulated in An Acte for the punishement of Vacabondes and for Relelf of the Poore and Impotent(1572) could be reflected in Coriolanus's words(3.2.111-21) and his disguise as a vagrant in Act4,Scenes 4 and 5.Moreover,they must have also noticed that the fear of effeminization of players in women's  clothing,which was expressed in the anti-theatrical tracts such as Stephen Gosson's The SchoolofAbuse(1579) and William Prynne's Historio-Mastix(1633),could be transferred to Coriolanus's words and his disguise.  One can safely state that Coriolanus,who has vehement anti-theatrical prejudice,is forced to put his mother's words"Action is eloquence"(3.2.77)into practice,and that as the consequence of the practice, he has to submit himself to"Vagabond exile"(3.3.96)as well as the anxiety about effeminization.},
 pages = {11--23},
 title = {Coriolanusにおける放浪と女性化をめぐる不安},
 volume = {55},
 year = {2009}
}