@article{oai:nagoya.repo.nii.ac.jp:00012169,
 author = {東村, 岳史 and HIGASHIMURA, Takeshi},
 journal = {国際開発研究フォーラム, Forum of International Development Studies},
 month = {Mar},
 note = {This article analyzes Ainu-related photographs, mainly focusing on the works of Genichiro Kakegawa, one of the representative photographers of Hokkaido in the postwar period. While many Ainu-related pictures that appeared in photography magazines were taken and accepted as those of “vanishing” curious subjects, Kakegawa was seeking for what should be explored in his pictures of the Ainu. His answer was to document the closing years of Yaeko Bachelor who had been an Ainu poet, resulting in a photo book that did credit to Kakegawa. As he developed his own views of how to record the lives and culture of the Ainu, his ideas overlapped the master narrative (the dominant ideology of the era) of “assimilation” during 1960’s and early 1970’s. However, his photographs of daily Ainu life can be evaluated in a different context from assimilation and have been appreciated again in recent years.},
 pages = {19--39},
 title = {アイヌの写真を撮る/見るまなざし : 1950―70年代前半の写真雑誌と掛川源一郎},
 volume = {39},
 year = {2010}
}