@article{oai:nagoya.repo.nii.ac.jp:00014333,
 author = {陳, 愛国 and CHEN, Aiguo},
 journal = {国際開発研究フォーラム, Forum of International Development Studies},
 month = {Mar},
 note = {From around the year 2000, China, influenced by the activities of UNESCO, began to recognize the importance officially recognizing local folklore culture as intangible cultural heritage. With the start of this official recognition in 2006, the cultural heritage that had hitherto been in the hands of local people became the "property" of the nation, and, in some cases, the world. With the formation of publicness of such local cultural heritage, intangible cultural assets that were once given relatively little attention or even actively discouraged are now being regarded in a positive light. On the other hand, this publicness has in some cases deleteriously affected the daily life practices of indigenous villagers making them, for example, alienated from their own heritage. Faced with this situation, villagers should seek to regain control of their cultural inheritance. This paper, based on fieldwork conducted in Hua County of Shanxi Province in China, traces the development of shadow play in the area and examines the strategies employed by the bearers of folklore culture to protect their heritage.},
 pages = {31--47},
 title = {民俗文化に求められる公共性と伝承者の戦術 : 中国陝西省華県「皮影戯」（影絵芝居）の事例から},
 volume = {41},
 year = {2012}
}