@article{oai:nagoya.repo.nii.ac.jp:00014356,
 author = {西村, 秀人 and NISHIMURA, Hideto},
 journal = {国際開発研究フォーラム, Forum of International Development Studies},
 month = {Mar},
 note = {This article analyzes the Afro-Uruguayan music called "Candombe", mainly focusing on the process of popularization of Candombe rhythm on the popular music genres. Candombe is rooted in a religious ceremony of Afro-Uruguayans in Montevideo in the 18th century. At the end of the 19th century, Candombe was introduced as the carnival music of Montevideo. Since 1940s, the Candombe rhythm was used in various popular music genres as an important element of Uruguayan national identity. Though the candombe originated from Afro-Uruguayan culture, today many white Uruguayans participate in the carnival performing the candombe. To understand this curious situation, it is important to take into account the aspiration of the Uruguayans to distinguish their culture from the resembling culture of neighboring Argentine.},
 pages = {125--138},
 title = {ウルグアイのアフリカ系音楽「カンドンベ」にみる文化変容 : 人種を超える国民文化化の過程},
 volume = {42},
 year = {2012}
}