@article{oai:nagoya.repo.nii.ac.jp:00015697, author = {滝川, 睦 and TAKIKAWA, Mutsumu}, journal = {名古屋大学文学部研究論集. 文学}, month = {Mar}, note = {This paper is intended as an investigation of the poetics of dressing and undressing in Shakespeare's comedies. The focal points are as follows: the undressing and uncrowning of Katherina in The Taming of the Shrew (Shr.); Julia's male clothing in The Two Gentlemen of Verona (TGV); Benedick's dressing and uncrowning in Much Ado about Nothing (Ado). The first chapter, focusing upon Katherina's gesture of throwing off her cap in the final scene, examines the undressing process in Shr.'s taming plot, compared with that of Griselda in Boccaccio's The Decameron. In the second chapter, the relationship between the antitheatrical prejudice in early modern England and the idea of emulation in TGV, referring to Julia's male disguise, should be thoroughly investigated. In the third chapter, it should be concluded that Benedick's simultaneous gestures of dressing and undressing derive from the fact that Ado depends upon the "noting" (Ado 4.1.158) of "the sign and semblance"(4.1.31) represented by clothes and fashion.}, pages = {35--53}, title = {着衣と脱衣の詩学 : Shakespeare喜劇における}, volume = {59}, year = {2013} }