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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 12

記録資料(ドキュメント)なきドキュメンタリー? : エコシネマと有害物質

https://doi.org/10.18999/juncture.12.10
https://doi.org/10.18999/juncture.12.10
257a2860-4dfe-4317-ad81-62ab5c86ccb8
名前 / ファイル ライセンス アクション
juncture_12_10.pdf juncture_12_10.pdf (1.5 MB)
Item type itemtype_ver1(1)
公開日 2021-05-19
タイトル
タイトル 記録資料(ドキュメント)なきドキュメンタリー? : エコシネマと有害物質
言語 ja
その他のタイトル
その他のタイトル Documentaries Without Documents? : Ecocinema and the Toxic
言語 en
著者 スクーノヴァー, カール

× スクーノヴァー, カール

ja スクーノヴァー, カール

en SCHOONOVER, Karl

Search repository
大﨑, 晴美

× 大﨑, 晴美

ja 大﨑, 晴美

en OSAKI, Harumi

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 エコシネマ(環境映画)
キーワード
主題Scheme Other
主題 ドキュメンタリー
キーワード
主題Scheme Other
主題 廃棄物
キーワード
主題Scheme Other
主題 有害物質
キーワード
主題Scheme Other
主題 映画的表象(不)可能性
キーワード
主題Scheme Other
主題 ecocinema
キーワード
主題Scheme Other
主題 documentary
キーワード
主題Scheme Other
主題 waste
キーワード
主題Scheme Other
主題 toxicity
キーワード
主題Scheme Other
主題 representational crisis
内容記述
内容記述 If waste is by definition the material that we do not want to see and that we abject from our vision, then what about forms of waste which are not visible? What about hazardous materials that photography fails to register or are imperceptible to human vision? A recent wave of ecological documentaries made in the United States and Europe appear to confer with this sense that waste is something to which we are blind. These documentaries forecast an impending environmental catastrophe of trash, a future global disaster with its roots in humanity’s current unwillingness to acknowledge waste as a problem. What unites this diverse group of films is how they view cinema as an instrument to confront its audiences with the physical facts of the world, seeing themselves as practising a vigilant visual discernment in order to raise environmental awareness. At the same time, they expose a mounting problem that is harder to see: toxic waste. This essay considers the formal means by which these films return garbage to our gaze and their struggle to capture polluting toxins. Through an analysis of how this toxic pollution is represented, expose a distinction elided in the contemporary eco docs: the distinction between rubbish that we refuse to be shown and a toxic reality that cannot be seen. Does the realist imperative to photographically reveal the world do more to obscure than to document humanity’s most menacing waste?
言語 en
内容記述タイプ Abstract
内容記述
内容記述 大﨑晴美(訳)
言語 ja
内容記述タイプ Other
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属超域文化社会センター
言語
言語 jpn
資源タイプ
資源タイプresource http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.12.10
ID登録タイプ JaLC
収録物識別子
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 12, p. 10-36, 発行日 2021-03-26
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