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大江健三郎『懐かしい年への手紙』に書き込まれる「義」のありよう : 戦後文学者の意志の継承というモチーフ
https://nagoya.repo.nii.ac.jp/records/2000113
242cf05b-50bd-4d96-86ae-8ad5ac69c16d
| Name / File | License | Actions | |
|---|---|---|---|
juncture_12_204.pdf (1.7 MB)
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| item type | itemtype_ver1(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2021-05-19 | |||||||||
| タイトル | ||||||||||
| タイトル | 大江健三郎『懐かしい年への手紙』に書き込まれる「義」のありよう : 戦後文学者の意志の継承というモチーフ | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Righteousness in Ōe Kenzaburō’s Letters for Nostalgic Years : Inheritance of the Will of Post-war Literary Figures | |||||||||
| 言語 | en | |||||||||
| 著者 |
西岡, 宇行
× 西岡, 宇行
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 大江健三郎 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 『懐かしい年への手紙』 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 義 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 戦後文学 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 個人 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 想像力 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Ōe Kenzaburō | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Letters for Nostalgic Years | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | righteousness | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | post-war literature | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | the individual | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | imagination | |||||||||
| 内容記述 | ||||||||||
| 内容記述 | This article aims to offer a new perspective on Ōe Kenzaburō’s novel Letters for Nostalgic Years (Natsukashii toshi eno tegami, 1987) through examining Ōe’s essays on post-war literary figures. In these essays, Ōe points out that the basic attitude of the postwar literary figures was to make independent judgement based on the individual and he indicates that they have their own “righteousness” (gi). This kind of righteousness—in this paper called “individual righteousness” (kojin no gi) —is identified as an important concept that links these essays with the novel. This article shows that Gee, who is a patron-like figure of “I” in the novel, has such righteousness. Indeed, Gee is depicted as a type of character who shares a lot in common with Ōe’s post-war literary figures. By analyzing Ōe’s essays, this paper argues that the novel tries to face the question of how the individual’s imagination can be connected to the collective imagination, an idea which Ōe seems to have inherited from other post-war literary figures, and that lies behind the use of the word “righteousness.” The novel carefully describes the process in which an act from Gee’s <individual righteousness> emerges from the inter-subjective exchange of “I”, his family and Gee through interpreting Dante’s Divina Comedia. By tracing the process by which individuality arises from collectivity, Ōe tries to show that the individual can open a channel to collectivity, paradoxically through sticking to one’s own imagination and following one’s norm until the end. This article concludes that this novel is an attempt by Ōe to carry on the attitude of postwar literary figures. | |||||||||
| 言語 | en | |||||||||
| 内容記述タイプ | Abstract | |||||||||
| 出版者 | ||||||||||
| 言語 | ja | |||||||||
| 出版者 | 名古屋大学大学院人文学研究科附属超域文化社会センター | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 1884-4766 | |||||||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 12, p. 204-216, 発行日 2021-03-26 |
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