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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 12

大江健三郎『懐かしい年への手紙』に書き込まれる「義」のありよう : 戦後文学者の意志の継承というモチーフ

https://doi.org/10.18999/juncture.12.204
https://doi.org/10.18999/juncture.12.204
242cf05b-50bd-4d96-86ae-8ad5ac69c16d
名前 / ファイル ライセンス アクション
juncture_12_204.pdf juncture_12_204.pdf (1.7 MB)
Item type itemtype_ver1(1)
公開日 2021-05-19
タイトル
タイトル 大江健三郎『懐かしい年への手紙』に書き込まれる「義」のありよう : 戦後文学者の意志の継承というモチーフ
言語 ja
その他のタイトル
その他のタイトル Righteousness in Ōe Kenzaburō’s Letters for Nostalgic Years : Inheritance of the Will of Post-war Literary Figures
言語 en
著者 西岡, 宇行

× 西岡, 宇行

ja 西岡, 宇行

en NISHIOKA, Takayuki

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 大江健三郎
キーワード
主題Scheme Other
主題 『懐かしい年への手紙』
キーワード
主題Scheme Other
主題 義
キーワード
主題Scheme Other
主題 戦後文学
キーワード
主題Scheme Other
主題 個人
キーワード
主題Scheme Other
主題 想像力
キーワード
主題Scheme Other
主題 Ōe Kenzaburō
キーワード
主題Scheme Other
主題 Letters for Nostalgic Years
キーワード
主題Scheme Other
主題 righteousness
キーワード
主題Scheme Other
主題 post-war literature
キーワード
主題Scheme Other
主題 the individual
キーワード
主題Scheme Other
主題 imagination
内容記述
内容記述 This article aims to offer a new perspective on Ōe Kenzaburō’s novel Letters for Nostalgic Years (Natsukashii toshi eno tegami, 1987) through examining Ōe’s essays on post-war literary figures. In these essays, Ōe points out that the basic attitude of the postwar literary figures was to make independent judgement based on the individual and he indicates that they have their own “righteousness” (gi). This kind of righteousness—in this paper called “individual righteousness” (kojin no gi) —is identified as an important concept that links these essays with the novel. This article shows that Gee, who is a patron-like figure of “I” in the novel, has such righteousness. Indeed, Gee is depicted as a type of character who shares a lot in common with Ōe’s post-war literary figures. By analyzing Ōe’s essays, this paper argues that the novel tries to face the question of how the individual’s imagination can be connected to the collective imagination, an idea which Ōe seems to have inherited from other post-war literary figures, and that lies behind the use of the word “righteousness.” The novel carefully describes the process in which an act from Gee’s <individual righteousness> emerges from the inter-subjective exchange of “I”, his family and Gee through interpreting Dante’s Divina Comedia. By tracing the process by which individuality arises from collectivity, Ōe tries to show that the individual can open a channel to collectivity, paradoxically through sticking to one’s own imagination and following one’s norm until the end. This article concludes that this novel is an attempt by Ōe to carry on the attitude of postwar literary figures.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属超域文化社会センター
言語
言語 jpn
資源タイプ
資源タイプresource http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.12.204
ID登録タイプ JaLC
収録物識別子
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 12, p. 204-216, 発行日 2021-03-26
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