@article{oai:nagoya.repo.nii.ac.jp:02001035,
 author = {吉原, 万里矢 and Yoshihara, Mariya},
 journal = {名古屋大学人文学フォーラム, Humanities Forum, Nagoya University},
 month = {Mar},
 note = {The beginning of the 20th century, when modernism evolved, was a crucial turning point in media and technology, which brought about changes in perception. Tatsuo Hori is a writer who is rarely regarded as a modernist, but the early short stories of Hori describe the physical sensations brought a bout by the technology that emerged during this period. First, I want to focus on the technology of glass. Glass, along with iron and concrete, has become a prominent material in modernist architecture due to the mechanization of production, and has come to market in Japan after World War I. Glass, which has begun to appear all over cit ies as architectural walls and show windows, has given a different perception. In short stories such as "Butterfly"(1928) and "While sleeping"(1927) glass disturbs the focus of the eyes, destroying perspective, causing dizziness and illusions. Furthermore, it is depicted as destabilizing self-identity while walking in the city. And for Hori, what has the effect of destroying perspective vision and causing illusion, like glass, is the amusement park attractions and movies discussed next. In the work “The recalcitrant child”, the perspective space is distorted by movies and attractions, and the sensation of dizziness is evoked, which creates empathy for others, and finally, the self and others. The division is deleted. In Hori's early work, the transition from immersiveness to ecstasy by staring at a certain point in Hori's early work, and the connection between a dream with a loss of focus, that is, a state of distraction and a dream, are repeatedly depicted. It was Hori's early works depict the illusions that occur in the moment when technology such as glass and movies transforms attention into dis tractions, and the visual clues that Jonathan Crary discussed in "Suspensions of Perception: Attention, Spectacle, and Modern Culture"(1999). Hori’s early works really shows how modernity is.},
 pages = {157--168},
 title = {堀辰雄におけるモダニズムとテクノロジー : 「手のつけられない子供」他初期短編をめぐって},
 volume = {4},
 year = {2021}
}