{"created":"2022-04-18T01:39:52.472388+00:00","id":2002395,"links":{},"metadata":{"_buckets":{"deposit":"a67cd5bb-08bc-4599-ae18-0ef91bc5f751"},"_deposit":{"id":"2002395","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"2002395"},"status":"published"},"_oai":{"id":"oai:nagoya.repo.nii.ac.jp:02002395","sets":["326:521:2363:1650244603274"]},"author_link":[],"control_number":"2002395","item_1615768549627":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_9_alternative_title_19":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Breaking Boundary of the Cold War and the Post-National : North Korea’s International Co-production Ventures","subitem_alternative_title_language":"en"}]},"item_9_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-03-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"84","bibliographicPageStart":"70","bibliographicVolumeNumber":"13","bibliographic_titles":[{"bibliographic_title":"JunCture : 超域的日本文化研究","bibliographic_titleLang":"ja"}]}]},"item_9_description_4":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"This paper concerns of a question about how Korean cinema can heal the rupture from the politics of cold war and communicate across the border, breaking away from such! deep division and isolation. Film develops along with its audience. In this paper, I will focus on the audience-oriented criticism of North Korea’s international coproduction which can dismantle the state’s monopoly and communicate with a broader range of global audience. To investigate a quest for the postnational, I will first look into North Korea’s international coproduction ventures that show the cinematic conventions familiar to audiences who enjoy the post-division aesthetics of Korean films as entertainment. And then, I will analyse two North Korea’s coproduction works as the attempt to break down the national boundary; the first North Korean-Japanese coproduction film The Birds (Rim Changbum, 1992) and the first North and South Korean-American coproduction animation entitled Empress Chung (Nelson Shin, 2005).","subitem_description_language":"en","subitem_description_type":"Abstract"},{"subitem_description":"高橋伸夫（訳）","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18999/juncture.13.70","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"名古屋大学大学院人文学研究科附属超域文化社会センター","subitem_publisher_language":"ja"}]},"item_9_source_id_7":{"attribute_name":"収録物識別子","attribute_value_mlt":[{"subitem_source_identifier":"1884-4766","subitem_source_identifier_type":"PISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"イ, ヒャンジン","creatorNameLang":"ja"},{"creatorName":"LEE, Hyangjin","creatorNameLang":"en"}]},{"creatorNames":[{"creatorName":"高橋, 伸夫","creatorNameLang":"ja"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2022-04-18"}],"displaytype":"detail","filename":"juncture_13_70.pdf","filesize":[{"value":"1.6 MB"}],"format":"application/pdf","mimetype":"application/pdf","url":{"objectType":"fulltext","url":"https://nagoya.repo.nii.ac.jp/record/2002395/files/juncture_13_70.pdf"},"version_id":"4273783b-cbc2-45e4-9862-dea053a74bbf"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"北朝鮮映画","subitem_subject_scheme":"Other"},{"subitem_subject":"国際合作ベンチャー","subitem_subject_scheme":"Other"},{"subitem_subject":"観客志向の批評","subitem_subject_scheme":"Other"},{"subitem_subject":"『バード』（リム・チャンボム、1992）","subitem_subject_scheme":"Other"},{"subitem_subject":"『王侯沈清』（ネルソン・シン、2005）","subitem_subject_scheme":"Other"},{"subitem_subject":"North Korean Cinema","subitem_subject_scheme":"Other"},{"subitem_subject":"International Co-production Adventure","subitem_subject_scheme":"Other"},{"subitem_subject":"Audience-oriented Criticism","subitem_subject_scheme":"Other"},{"subitem_subject":"The Birds (Rim Changbum, 1992)","subitem_subject_scheme":"Other"},{"subitem_subject":"Empress Chung (Nelson Shin, 2005)","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"冷戦の境界を越えるポストナショナル : 北朝鮮の国際合作ベンチャー","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"冷戦の境界を越えるポストナショナル : 北朝鮮の国際合作ベンチャー","subitem_title_language":"ja"}]},"item_type_id":"40001","owner":"1","path":["1650244603274"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2022-04-18"},"publish_date":"2022-04-18","publish_status":"0","recid":"2002395","relation_version_is_last":true,"title":["冷戦の境界を越えるポストナショナル : 北朝鮮の国際合作ベンチャー"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-01-16T05:03:20.665567+00:00"}