@article{oai:nagoya.repo.nii.ac.jp:02002397,
 author = {山本, 昭宏 and YAMAMOTO, Akihiro},
 journal = {JunCture : 超域的日本文化研究},
 month = {Mar},
 note = {This paper focuses on the films of Tai Kato’s By a Man’s Face Shall You Know Him [Otoko no kao wa rirekisho]. The aim is to discuss the politics of narrative and representation, taking into account the structure of his works and the postwar history of East Asia. The film attempted to capture an aspect of postwar history in which liberation from servitude and escape from self-hatred surfaced as violent hostility, with an understanding of the vengeance of Koreans living in Japan against the Japanese. On the other hand, by following the common sense understanding that violence leads to destruction, the film attempted to preserve the form of popular entertainment. In the case of this film, the Zainichi Koreans were portrayed as both a dangerous “revenge subject” and an object of cathartic violence by the Japanese. Furthermore, in the concluding part of the film, a Japanese doctor takes charge of an operation on a Korean resident in Japan, suggesting the intention of Japan- Korea friendship, but the Korean resident in Japan was represented as the object of treatment.},
 pages = {98--108},
 title = {『男の顔は履歴書』（1966年）における民族と暴力の表象に関する一考察},
 volume = {13},
 year = {2022}
}