@article{oai:nagoya.repo.nii.ac.jp:02002398,
 author = {吉原, 万里矢 and YOSHIHARA, Mariya},
 journal = {JunCture : 超域的日本文化研究},
 month = {Mar},
 note = {This paper explores what kind of imagination the new space of the greenhouse has aroused from the literary text, and clarifies what kind of perception was organized in the space. First, in the greenhouse, a gaze is formed toward the pursuit of visual pleasure, similar to an exposition, and the imagination that connects women and plants equally as spectacles is aroused. However, on the other hand, Kinoshita Mokutarō’s “Greenhouse” depicts a situation in which a male subject cannot unilaterally look at the subject. The disturbance of the binary opposition of subject / object is also shown in Kitahara Hakushū’s poem “Weed Garden”. The sensation of the disappearance of the boundary between the outside and the inside of a greenhouse extends to the interpenetration of the public realm of the city and the private realm of the mind. The greenhouse, which blurs the boundary between the inside and the outside, was the best space for the impression poem that Hakushū aimed at.},
 pages = {110--120},
 title = {ガラス空間と視覚の近代化 : 北原白秋・木下杢太郎作品における「温室」のモチーフを中心に},
 volume = {13},
 year = {2022}
}