@article{oai:nagoya.repo.nii.ac.jp:02005039,
 author = {藤原, 一子 and FUJIWARA, Kazuko and 布目, 寛幸 and NUNOME, Hiroyuki and 池上, 康男 and IKEGAMI, Yasuo},
 issue = {1},
 journal = {総合保健体育科学, Nagoya Journal of Health, Physical Fitness & Sports},
 month = {Apr},
 note = {The purpose of this study was to attempt a quantification of basic techniques in piano performance. Two suites of the etudes composed by Burgmüller were selected for analysis; 25 Etüden Op. 100 (primary degree) and 18 Etüden Op. 109 (middle degree). Each suites of the etudes were analyzed by the following 4 items; (1) the progression from preceding to subsequent notes (2) fingering and displacement between preceding to subsequent notes (3) In the playing of a chord, the optimum fingering and the resultant spacing between the fingers (4) the shortest note(s) in the piece, and the average note-length of the piece The change from primary to middle degree were observed in item (1),(2), and(3) in the right hand and (2) and (3) in the left hand.},
 pages = {31--39},
 title = {ピアノ基礎テクニックの定量化の試み},
 volume = {33},
 year = {2010}
}