@article{oai:nagoya.repo.nii.ac.jp:02005127, author = {能登原, 由美 and NOTOHARA, Yumi}, journal = {JunCture : 超域的日本文化研究}, month = {Mar}, note = {Although musical representations such as related musical pieces and songs have so far been archived in the Hiroshima Peace Memorial Museum, no real physical sounds of the atomic bomb have been preserved. Recently, as sound studies in humanities have been shedding light on “the sounds of war,” this paper tries to focus on and interpret “the sounds of the Atomic Bomb” heard when the atomic bomb was dropped onto Hiroshima on 6th August 1945 from 36 first witnesses of the Atomic Bomb: Survivors’ Testimonies from “Genbaku Taikenki” (1965), John Hersey’s “Hiroshima” (1946), Michihiko Hachiya’s “Hiroshima Dairy” (1950), Yōko Ōta’s “Shikabane No Machi”(1948), and Tamiki Hara’s “Genbakuhisaiji No Notes” (unpublished). As a result, from a total of 36 acoustic images of the survivor testimonies, the following four types of sound memoirs can be extracted: (1) the sound as a sign of the bombing, (2) the sound of the explosion, (3) the silence, and (4) the voices of the injured people. As it is difficult to listen to and confirm real physical sounds due to the atomic bomb, the “sounds” of the atomic bomb people heard at that time could definitely lead to the survivors’ psychological trauma although people might have varied depending on the survivors’ situations and mental conditions.}, pages = {38--50}, title = {体験記にみる原爆の「音」}, volume = {14}, year = {2023} }