@article{oai:nagoya.repo.nii.ac.jp:02005281,
 author = {谷, 金榜 and Gu, Jin bang},
 journal = {名古屋大学人文学フォーラム, Humanities Forum, Nagoya University},
 month = {Mar},
 note = {Mo Yan loved reading Lu Xun since he was a boy, and after becoming an established writer, he repeatedly mentioned the influence he received from Lu Xun in his lecture. Lin Min jie summarizes that one of the characteristics of Mo Yan’s literature is that "I advocate the philosophy of performing true artistic expressions against the real world, and I am aware that I am a successor to the tradition of Lu Xun literature." Shozo FUJII claims that the 'strategy of national criticism' that symbolizes the bad side of Chinese society, where Lu Xun's 'A Madman’s Diary' is expressed, appears in the 'The Republic of Wine' of Mo Yan. I agree with FUJII's interpretation, but I would like to consider not only 'national sexuality criticism' but also how Mo Yan inherited Lu Xun's critical spirit and developed it in social criticism and political criticism. And about ‘The True Story of Ah Q’ and ‘Sandalwood Death’, the author wants to compare and analyze not only the criticism of national character but also the clown of Ah Q and Zhao Jia as a clown based on social criticism and political criticism. In addition, as for the attitude and motive of literary creation in Lu Xun and Mo Yan, the difference between Lu Xun, who takes the attitude of "for the people" as an enlightenment, and Mo Yan, who takes the attitude as a member of the people, will be examined at the end of the paper.},
 pages = {307--323},
 title = {莫言と魯迅 : 批判精神の継承と変容 : 「狂人日記」と『酒国』、「阿Q 正伝」と『白檀の刑』との比較を中心に},
 volume = {6},
 year = {2023}
}