@article{oai:nagoya.repo.nii.ac.jp:02005287, author = {大橋, 香奈子 and OHASHI, Kanako}, journal = {名古屋大学人文学フォーラム, Humanities Forum, Nagoya University}, month = {Mar}, note = {The Hikone Screen, produced in the early Edo period, is an enigmatic painting. The gold-ground screen depicts 15 figures playing at pleasure and a folding screen "painting-within-a-painting," which is set in a pleasure quarters of Kyoto at that time. Although the work expresses the appearan ce of four accomplishments "kinkishoga," there are a number of suggestive elements that lead the viewer to wonder if there is a hidden subject in this work. This paper is a study of the themes of this picture. After an overview of the history of research on the subject matter of this painting, I discussed "painting-within-a-painting", which I consider to be the most important motif in the subject matter of this painting, and showed that it is an important motif in Hikone Screen. I next examined the description of the "painting-within-a-painting." In particular, it is important to point out that a cave-like object is depicted in the lower right corner of it. It appears possible that this painting alludes to the world of "the Peach Blossom Land," described by the Chinese poet Tao Yuanming. I pointed out that several depictions, such as the cave and the scene of welcoming visitors in front of the house, correspond to the theme of Tao Yuan-ming's poems, "a visit to another world." Next, I discussed the relationship between this "painting-within-a-painting" and the gold-ground space. The composition of this painting, with standing figures on the right and seated figures on the left, is similar to the depiction of people welcoming a traveler into the ir home in the "painting-within-apainting," and I pointed out that the entire work in this painting corresponds to the content of the "painting-within-a-painting." And I analyzed that it leads to multiple structure of this picture. I also considered the old man with a samisen in the sixth screen serves as a mediator of another world, connecting the two different worlds of the painting, "the Peach Blossom Land" and the pleasure quarters. As described above, I showed that elements of "the Peach Blossom Land" can be found in the "painting-within-a-painting" in the Hikone Screen, which is linked to the space of the whole picture, pleasure quarters. I proposed here a new view on the subject matter of the Hikone Screen., 図版は著作権上の都合により掲載しておりません。}, pages = {(17)--(32)}, title = {「彦根屏風」の主題に関する一考察 : 異界との響き合い}, volume = {6}, year = {2023} }