@article{oai:nagoya.repo.nii.ac.jp:02005439,
 author = {伊藤, 大輔 and Ito, Daisuke},
 journal = {名古屋大学人文学研究論集, The Journal of Humanities, Nagoya University},
 month = {Mar},
 note = {This essay is a continuation of my previous essay, “Chojū-giga” and Animism. In the previous paper, I argued that the “Chojū-giga” does not fit into the modern anthropological definition of animism which is formulated by Philippe Descola, but rather is based on the concept of analogism. It is generally understood that analogyism is characterized by the work of power to unify a large number of beings into one, and as a result, becomes the basis for the creation of a centralized royal power. However, on the other hand, in order for the centripetal force to work, it is necessary that there is also a centrifugal force that opposes it. In my opinion, these two forces were shared by the emperor of the time and the retired emperor of his father in the Insei regime that emerged in Japan at the end of the twelfth century. This paper explores the expression of social centripetal force and centrifugal force in “Chojū-giga”, and points out that this work was created as an image of the Insei., 図1は著作権上の都合により掲載しておりません。},
 pages = {289--309},
 title = {「鳥獣戯画」とアニミズム続考},
 volume = {6},
 year = {2023}
}