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世界遺産登録前後の「大垣祭の軕行事」の動向について : その変化が意味するもの
https://doi.org/10.18999/humfnu.8.499
https://doi.org/10.18999/humfnu.8.4996a861bb7-4df0-4e95-9ca6-f1d6b085f928
| 名前 / ファイル | ライセンス | アクション |
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| アイテムタイプ | itemtype_ver1(1) | |||||||||
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| 公開日 | 2025-03-27 | |||||||||
| タイトル | ||||||||||
| タイトル | 世界遺産登録前後の「大垣祭の軕行事」の動向について : その変化が意味するもの | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Trends in Ogaki Festival before and after World Heritage Registration : Meaning of the Changes | |||||||||
| 言語 | en | |||||||||
| 著者 |
矢田, 達也
× 矢田, 達也
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 大垣祭の軕行事 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 無形民俗文化財 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | ユネスコ無形文化遺産 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 観光資源化 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 本義 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | Ogaki Festival | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | Intangible Folk Cultural Property | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | Intangible Cultural Heritage | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | making tourism resource | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | hongi (authenticity) | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | This paper investigates the changes in a locally rooted festival event after it was placed in a macro and global context by being designated an Important Intangible Folk Cultural Property of Japan and registered as an Intangible Cultural Heritage by UNESCO. It also considers how these changes can be interpreted. To this end, this paper examines the transformations of the ‘Ogaki Festival’ from the 2000s to the 2010s, showing that the changes in the Ogaki Festival during that period can be summarized in two aspects: employing the Ogaki Festival as a tourist resource and preserving the festival ’s ‘original’ cultural and religious significance. The analysis of changes to the parade route and the Ogaki Festival procession suggests that these modifications were aimed at reconstructing the festival not merely as an event, but as traditional culture unique to Ogaki’s history. The cases discussed in this paper demonstrate that the meaning and significance of festivals are never fixed; rather, they are continuously reproduced internally through interactions between hosts and various guests, including tourists. This ongoing reproduction allows festivals, as intangible folk cultural properties, to persist in a lively form. Moreover, the fact that this reproduction of meaning in the Ogaki Festiva l was concentrated around the time of its designation as a National Important Intangible Folk Cultural Property and registration as a UNESCO Intangible Cultural Heritage, is highly suggestive. Furthermore, our interview survey revealed that not only experts and government agencies but the festival bearers have actively participated in the process of change, reconstructing the meaning of the festival and trying to pass it on to the next generation as ‘our pride’. To that extent, I believe that this study has been able to provide a glimpse into the direction that festivals, and Intangible Folk Cultural Properties in general should take in the future. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 名古屋大学大学院人文学研究科 | |||||||||
| 言語 | ja | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/humfnu.8.499 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 2433-2321 | |||||||||
| 書誌情報 |
ja : 名古屋大学人文学フォーラム en : Humanities Forum, Nagoya University 巻 8, p. 499-514, 発行日 2025-03-31 |
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