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第一次世界大戦期イギリスの音楽にみる戦死兵の英雄化 : ヴォーン・ウィリアムズ、ホルスト、エルガーの作品から
https://doi.org/10.18999/juncture.17.8
https://doi.org/10.18999/juncture.17.8bb74a07b-1bed-4bfd-a3dd-35034c326700
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
juncture_17_8.pdf (1.5 MB)
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| アイテムタイプ | itemtype_ver1(1) | |||||||||
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| 公開日 | 2026-03-26 | |||||||||
| タイトル | ||||||||||
| タイトル | 第一次世界大戦期イギリスの音楽にみる戦死兵の英雄化 : ヴォーン・ウィリアムズ、ホルスト、エルガーの作品から | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Heroization of Fallen Soldiers through British Music during the First World War: Vaughan Williams, Holst and Elgar | |||||||||
| 言語 | en | |||||||||
| 著者 |
能登原, 由美
× 能登原, 由美
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 戦死兵 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 英雄化 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 音楽 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 第一次世界大戦 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | イギリス | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Fallen Soldiers | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Heroization | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Music | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | First World War | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Britain | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | This paper explores the musical heroization of fallen soldiers in Britain during the First World War. It focuses on works composed by three renowned British composers: Gustave Holst, Ralph Vaughan Williams and Edward Elgar. The commemoration of fallen soldiers in Britain became a national event after the armistice took effect in 1918, taking on ritualistic comparable to pilgrimages to sacred sites for martyrs. This commemorative culture influenced wartime expression in literature and the arts, in which soldiers were represented not merely as symbols of courage but as sacralized heroes of tragedy. It is likely that this new mode of heroization also emerged in musical works. To examine musical representations of fallen soldiers, this paper centers on Elgar’s largescale choral works The Spirit of England. The composition consists of three movements--The Fourth of August, To Women, and For the Fallen--composed in 1917, 1916, and 1915 respectively. To situate Elgar’s work within a broader commemorative tradition, two earlier choral settings of Walter Whitman’s poem, Dirge for Two Veterans, composed by Vaughan Williams in 1911 and by Holst in 1914, are also examined. These works share characteristic features of commemorative music, such as a funeral-march style using drums and brass instruments evocative of military bands--elements that are likewise present in The Spirit of England. However, Elgar’s work differs from those of Vaughan Williams and Holst in its pronounced foregrounding of sacralization and heroization. From both compositional analysis and reception history--particularly contemporary critical commentary--it becomes clear that fallen soldiers were praised as sacrificial heroes, ultimately transformed into the embodiment of the “Spirit of England” itself. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 名古屋大学大学院人文学研究科附属超域文化社会センター | |||||||||
| 言語 | ja | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/juncture.17.8 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 助成情報 | ||||||||||
| 識別子タイプ | Crossref Funder | |||||||||
| 助成機関識別子 | https://doi.org/10.13039/501100001691 | |||||||||
| 助成機関名 | 日本学術振興会 | |||||||||
| 言語 | ja | |||||||||
| 助成機関名 | Japan Society for the Promotion of Science | |||||||||
| 言語 | en | |||||||||
| 研究課題番号 | 23K00149 | |||||||||
| 研究課題番号URI | https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-23K00149/ | |||||||||
| 研究課題名 | 戦争と追悼のトポスのゆくえ : 20世紀前半のイギリスの音楽から | |||||||||
| 言語 | ja | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 1884-4766 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | EISSN | |||||||||
| 収録物識別子 | 2435-7332 | |||||||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 17, p. 8-23, 発行日 2026-03-24 |
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