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戴愛蓮と『辺疆音楽舞踊大会』 : 国共内戦期における民族舞踊の創造
https://doi.org/10.18999/juncture.17.94
https://doi.org/10.18999/juncture.17.94662713a9-1f0e-42ea-a9e3-f1bc8dfa9977
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
juncture_17_94.pdf (1.9 MB)
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| アイテムタイプ | itemtype_ver1(1) | |||||||||
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| 公開日 | 2026-03-27 | |||||||||
| タイトル | ||||||||||
| タイトル | 戴愛蓮と『辺疆音楽舞踊大会』 : 国共内戦期における民族舞踊の創造 | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Representation and Creation of Ethnic Culture through the Body as Medium: On the “Border Region Music and Dance Festival” during the Chinese Civil War | |||||||||
| 言語 | en | |||||||||
| 著者 |
王, 瑩
× 王, 瑩
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 戴愛蓮 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 少数民族舞踊 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 民族政策 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 「創られた伝統」 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 中国舞踊 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Dai Ailian | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | ethnic minority dance | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | ethnic policy | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | “invented tradition” | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Chinese dance | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | On the eve of the Chinese Civil War, The Border Region Music and Dance Festival, choreographed by Dai Ailian (1916-2006), was staged in Chongqing under the Kuomintang regime in March 1946, and again in Shanghai in August, one year after the Japanese withdrawal. Widely publicized through newspapers and magazines, the performances attracted significant public attention. This was due not only to Dai and her collaborators’ artistic talents in re-creating minority dances as stage art, but also to the festival’s entanglement with the ethnic policies and propaganda strategies of both the Nationalists and the Communists. This study, drawing on oral accounts from Dai and her contemporaries, as well as contemporary newspaper articles and critical writings, examines the festival from multiple perspectives while tracing the networks of those involved. First, by focusing on Dai’s diasporic experience as an overseas Chinese, it shows how her creative process simultaneously engaged in self-Orientalist expression while seeking new directions for Chinese dance. Second, through an analysis of the choreography of the festival’s works, it clarifies how Dai elevated folk dances into performative art. This was both an instance of “the invention of tradition” (Hobsbawm) and an attempt to reposition ethnic minority dance from the “periphery” to the “center,” sowing the seeds for the development of ethnic dance in the early years of the PRC. Finally, the festival’s reception as both “people’s art” and “ethnic dance” reflected the contrasting ethnic policies and propaganda aims of the two parties. Through this experience, Dai not only emerged as a leading figure in the state’s dance enterprise after 1949, but also cultivated a form of celebrity that warrants further attention. By situating the festival at the intersection of dance history, ethnic policy, and cultural memory in modern China, this study reassesses its significance within the broader trajectory of twentieth-century Chinese dance. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 名古屋大学大学院人文学研究科附属超域文化社会センター | |||||||||
| 言語 | ja | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/juncture.17.94 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 1884-4766 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | EISSN | |||||||||
| 収録物識別子 | 2435-7332 | |||||||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 17, p. 94-107, 発行日 2026-03-24 |
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