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近代東アジアにおける女性演劇の受容 : 宝塚歌劇『パリゼット』と女子越劇『梁祝哀史』の比較
https://doi.org/10.18999/juncture.17.108
https://doi.org/10.18999/juncture.17.10805afa4b5-1f0a-4094-93c3-f30055a42700
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
juncture_17_108.pdf (1.8 MB)
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| アイテムタイプ | itemtype_ver1(1) | |||||||||
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| 公開日 | 2026-03-27 | |||||||||
| タイトル | ||||||||||
| タイトル | 近代東アジアにおける女性演劇の受容 : 宝塚歌劇『パリゼット』と女子越劇『梁祝哀史』の比較 | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Reception of Women’s Theatre in Modern East Asia: A Comparative Study of Takarazuka Revue Parisette and Yue Opera Liang Zhu Aishi | |||||||||
| 言語 | en | |||||||||
| 著者 |
李, 筱萌
× 李, 筱萌
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 宝塚歌劇 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 女子越劇 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 観客文化 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | ジェンダー表象 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 近代東アジア | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | Takarazuka Revue | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Yue Opera | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Audience Culture | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Women’s Theatre | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Modern East Asia | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | This paper examines the reception of women’s theatre in modern East Asia through a comparative study of the Takarazuka Revue’s Parisette (1930) in Japan and the Yue Opera Liang Zhu Aishi (1939-1945) in China. Both were women-only performance groups, and each played a central role in shaping gender representation during its formative period. Parisette reflected Japan’s fascination with Western urban culture, presenting a glamorous stage world that inspired numerous audience submissions praising its exotic imagery and the appeal of the Otokoyaku (women playing male roles). By contrast, Liang Zhu Aishi reinterpreted the well-known traditional love story into a lyrical tragedy that criticized arranged marriage. Reviews and audience writings in newspapers and journals emphasized the play’s ethical and social dimensions, linking the performance to wider debates on family, morality, and women’s subjectivity. This study draws primarily on contemporaneous audience submissions and theatre reviews. Kageki magazine provided an official platform where Takarazuka’s largely female audience could voice admiration and critique, thereby integrating women’s perspectives into the cultural record. In contrast, Yue Opera relied on popular newspapers in which critical discourse was dominated by male intellectuals, even though women formed the core of its spectatorship and support. These contrasting contexts reveal that the cultural significance of women’s theatre was shaped not only by stage performance but also by the discursive channels through which audience voices were mediated and preserved. Placing Parisette and Liang Zhu Aishi in dialogue highlights both the shared potential of women-only theatre to destabilize established gender norms and the divergent trajectories that such theatre took in Japan and China. The comparison demonstrates how women’s theatre operated as a cultural arena where gender, audience culture, and social imagination intersected, while also underscoring that its broader impact was conditioned by the surrounding media environment and the structures of public discourse. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 名古屋大学大学院人文学研究科附属超域文化社会センター | |||||||||
| 言語 | ja | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプresource | http://purl.org/coar/resource_type/c_6501 | |||||||||
| タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/juncture.17.108 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 1884-4766 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | EISSN | |||||||||
| 収録物識別子 | 2435-7332 | |||||||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 17, p. 108-120, 発行日 2026-03-24 |
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