@article{oai:nagoya.repo.nii.ac.jp:00026586,
 author = {竹田, 伸一 and TAKEDA, Shinichi},
 journal = {名古屋大学人文学フォーラム},
 month = {Mar},
 note = {Bibles moralisées are illustrative Bibles created for the French royal family, structured so that the four elements of Bible text, Bible image, moralization text, and moralization image have analogous relations to each other. In this article I will deal with five sets of Bibles moralisées produced in the thirteenth century, and will focus mainly on the Bible image of the Brazen Serpent with an iconoclasm and its moralization image of the crucifix in one of the manuscripts, divided between Oxford (Bodley 270b), Paris (latin 11560), and London (Harley 1526, 1527) (OPL manuscript hereafter). There is a partial and selective iconoclasm at the top of the column of the Brazen Serpent image of the OPL manuscript, and it is unknown what is described at first sight. The Additional manuscript (Add. 18719) produced about 50 years later modeled on the OPL manuscript does not describe anything on the column. A big serpent entwines around it with its head down. The artist of the Additional manuscript seemed to think that nothing was described on the iconoclasm of the OPL manuscript. Therefore, at the end of the thirteenth century when the Additional manuscript was produced, there was already an iconoclasm in the OPL manuscript. As a result of investigating and reviewing the Bodley 270b original manuscript at the Bodleian Library, it was found that a Brazen Serpent with a small body like a dove and a long tail like a big serpent was described on the column of this folio. By the way, why did the Brazen Serpent of the OPL manuscript receive a selective iconoclasm? According to the Second Kings of the Old Testament, during the reign of King Hezekiah, the Brazen Serpent became idolized and was destroyed with other idols (II Kings 18: 4). Although the moralization images corresponding to the Bible images of the Brazen Serpent in the early Vienna manuscripts (Vienna 2554, Vienna 1179), life-sized crucifixions of Christ, are described based on the typology in which the Old Testament event (type) prefigures the New Testament event (antitype), the moralization image of the OPL manuscript is not a crucifixion but an image with the crucifix, in which medieval contemporary clergy exile evil spirits from the people. In addition, the changing was not only from the crucifixion to the crucifix but also from typology to image comparison. As a result, the image of the Brazen Serpent was so emphasize d that the viewer or the producer might have judged it as a kind of idol and were lead to the iconoclasm.},
 pages = {233--250},
 title = {『ビーブル・モラリゼ』（オックスフォード＝パリ＝ロンドン写本）における青銅の蛇と磔刑像について : 選択的イコノクラスムとキリスト教的イメージ},
 volume = {1},
 year = {2018}
}