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張愛玲の小説「覇王別姫」と「傾城之恋」 : 京劇の引用をめぐって
https://doi.org/10.18999/humfnu.1.283
https://doi.org/10.18999/humfnu.1.2834b0ea4b9-8425-4120-a4a0-b5c84698968a
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-11-13 | |||||
タイトル | ||||||
タイトル | 張愛玲の小説「覇王別姫」と「傾城之恋」 : 京劇の引用をめぐって | |||||
言語 | ja | |||||
その他のタイトル | ||||||
その他のタイトル | Allusions of Peking Opera in Eileen Chang's Farewell My Concubine and Love in a Fallen City | |||||
言語 | en | |||||
著者 |
陸, 洋
× 陸, 洋 |
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アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 「覇王別姫」 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 「傾城之恋」 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 張愛玲 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 京劇 | |||||
抄録 | ||||||
内容記述 | It is an interesting phenomenon that Eileen Chang’s novels, such as Farewell My Concubine and Love in a Fallen City, have allusions to Peking Opera. According to her own essay, Chang was inspired by the play Farewell My Concubine. As a trial of novelistic experiment in her early years, Chang rewrote the story by putting Yuji in the central status and taking her perspective to view and narrate the events. Since then she had shown strong concern for the relationship between women and nationalism. As part of this concern she wrote Love in a Fallen City , which parodies the stereotype of a beautiful woman who brings ruin to the country. This article tries to suggest that in Eileen Chang’s novels, Peking Opera allusions not only take an active part in the development of the theme, but also enrich the expression of her writing. This also tries to show how Chang has evolved from Farewell My Concubine to Love in a Fallen City in the diversification of the reference to Peking Opera in the different periods of her literary creation. By observing the functions of the allusions to Peking Opera in Eileen Chang’s fictional world, this article aims to discover what kinds of elements of Peking Opera are adopted in Chang’s texts and how they produce textual effects. Finally this article argues the question why it is necessary for the elements of Peking Opera to participate in Eileen Chang’s novels dealing with the theme of woman and war. | |||||
言語 | en | |||||
内容記述タイプ | Abstract | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 名古屋大学大学院人文学研究科図書・論集委員会 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ID登録 | ||||||
ID登録 | 10.18999/humfnu.1.283 | |||||
ID登録タイプ | JaLC | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 2433-2321 | |||||
書誌情報 |
ja : 名古屋大学人文学フォーラム 巻 1, p. 283-297, 発行日 2018-03-31 |
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著者版フラグ | ||||||
値 | publisher |