@article{oai:nagoya.repo.nii.ac.jp:00027461,
 author = {スクーノヴァー, カール and ガルト, ロザリンド and 大﨑, 晴美 and SCHOONOVER, Karl and GALT, Rosalind and OSAKI, Harumi},
 journal = {JunCture : 超域的日本文化研究},
 month = {Mar},
 note = {Proposing a radical vision of cinema’s queer globalism, this book explores how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, the authors reimagine the scope of queer film studies. They move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. The authors make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging., 大﨑晴美(訳). 本稿は、Karl Schoonover and Rosalind Galt, “Introduction: Queer, World, Cinema” in Queer Cinema in the World (Durham, NC: Duke University Press, 2016)の全訳である。ただし、本稿に合わせてわずかに省略または語句を変更した箇所がある。},
 pages = {76--110},
 title = {序論 : クイア、世界、映画},
 volume = {10},
 year = {2019}
}