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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 10

葛藤するヴォイス・オーヴァー : 1930年代メロドラマを語る声

https://doi.org/10.18999/juncture.10.142
https://doi.org/10.18999/juncture.10.142
42d4e6b0-554d-4368-a6a6-98682e1807f2
名前 / ファイル ライセンス アクション
juncture_10_142.pdf juncture_10_142.pdf (1.8 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2019-03-28
タイトル
タイトル 葛藤するヴォイス・オーヴァー : 1930年代メロドラマを語る声
言語 ja
その他のタイトル
その他のタイトル Conflicting Voiceover : Voice Narration in 1930s Melodrama
言語 en
著者 盧, 銀美

× 盧, 銀美

WEKO 90474

ja 盧, 銀美

Search repository
NO, Eunmi

× NO, Eunmi

WEKO 90475

en NO, Eunmi

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 Voiceover
キーワード
主題Scheme Other
主題 Japanese Film
キーワード
主題Scheme Other
主題 1930s
キーワード
主題Scheme Other
主題 Melodrama
抄録
内容記述 This study examines the features of voiceover, a filmic technique that has been widely used in melodrama films since the late 1930s. One function of voiceover, which was developed alongside the talkies in the late 1930s, was conceptualized by the term “monologue” and was used to represent characters’ inner voices, as well as the voice through which one character expresses their subjective view of another character’s internality. In this study, I analyze the dynamics of melodramatic modes of voiceover prevalent in the shinpa-geki style of Japanese films in the 1930s. I will focus on Naruse Mikio’s 1937 film Nadare, which depicts the lives of the Japanese upper class during that period. My analysis will illustrate the ways in which monologue voiceover allowed an ever-increasing number of filmmakers to create a kind of filmic “diversity,” where monologues functioned to express the complex inner voices of a variety of characters. This voiceover technique, widely adopted in melodrama films made after 1935, helped to dramatize the standard shinpa-geki themes of feudalistic thought or patriarchy, while creating melodramatic modes of subjective bipolarity and time tension. Investigating these features will demonstrate how voiceover served as a typical means for generating melodramatic modes of “conflict” within melodrama films during the 1930s.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属超域文化社会センター
出版者
言語 en
出版者 Center for Transregional Culture and Society, Graduate School of Humanities, Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.10.142
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 10, p. 142-157, 発行日 2019-03-25
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