{"created":"2021-03-01T06:35:54.731290+00:00","id":27881,"links":{},"metadata":{"_buckets":{"deposit":"e8457ad0-8fc8-4cb5-9fd4-adab2d36a4f9"},"_deposit":{"id":"27881","owners":[],"pid":{"revision_id":0,"type":"depid","value":"27881"},"status":"published"},"_oai":{"id":"oai:nagoya.repo.nii.ac.jp:00027881","sets":["326:521:2321:2384"]},"author_link":["90659"],"item_1615768549627":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_9_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1993-10-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"59","bibliographicPageStart":"39","bibliographicVolumeNumber":"26","bibliographic_titles":[{"bibliographic_title":"IVY","bibliographic_titleLang":"en"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This paper investigates the ways in which the problems inherent in narrative provoke conflicts in Othello. Since the system of literary signification has a structure that is separated from material facts, it can transform the appearance of reality by creating a biased fiction. Here arises a subversive effect of narrative on reality. Each character in this play creates his or her own fiction and imposes it on other characters. This action produces violent clashes between characters towards the end of the play. I focus my attention on those conflicts which are provoked by two types of discourse，that is, 0thello's and Iago's. It is certain that both characters convincingly demonstrate their own stories in accordance with their interests.  However, there exists a fundamental difference between them : Iago deliberately deconstructs the material realities in order to form a fictional structure, while Othello does so unintentionally. I argue for such an essential distinction between them. The first section takes up the characteristic features of Iago. He works out rhetorical strategies in order to undermine Othello, because narrative for him is a means of subversion. What is important is that Iago employs mainly two kinds of rhetorical skills ; one is the skill to stimulate Othello’s imagination by dissolving differences between the imaginary and the real. Its purpose is to throw Othello into epistemological confusion between the two. The other skill is to cause Othello to be obsessed with seeing ; in effect, this obsession intensifies Othello's confusion. In the next part, I examine the epistemic problems innate in Othello, which make him vulnerable to Iago's strategy. 0thello has a tendency to understand people at their face values, because he directly connects seeing and knowing. Moreover, he designates what he gets from seeing before he actually sees things ; as a result, he perceives exactly as he imagines. On the condition that his imagination is aroused, Othello visualizes not only the stories which Iago actually tells but also those which he merely insinuates. Indeed Othello substitutes Iago's fiction for actual reality. Throughout this section I analyze the ambiguous nature in the system of signification. The concluding section investigates the play's excessive demand for narrative. In the final act, the produced conflicts in reality are transformed back into abstractions which are separated from incessantly changing reality. In particular, Othello by killing himself converts his real existence into a manipulable story that produces no violent effect on reality. Moreover, the play's end signifies a further narrative addressed to the Venetian Senate. This suggests that the story of Othello will be regulated according to the institutional ideology ; narrative serves here the legitimacy of the Senate. The play's ending signifies that the system of narrative can deprive individuals of their actual existences and transform them into manipulable fictions.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_9_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"名古屋大学英文学会","subitem_publisher_language":"ja"},{"subitem_publisher":"The society of english literature and linguistics Nagoya University","subitem_publisher_language":"en"}]},"item_9_select_15":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_9_source_id_7":{"attribute_name":"ISSN（print）","attribute_value_mlt":[{"subitem_source_identifier":"0914-2266","subitem_source_identifier_type":"PISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Yokota, Nakayo","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"90659","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-04-22"}],"displaytype":"detail","filename":"ivy_26_39.pdf","filesize":[{"value":"699.2 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"ivy_26_39.pdf","objectType":"fulltext","url":"https://nagoya.repo.nii.ac.jp/record/27881/files/ivy_26_39.pdf"},"version_id":"095343b8-4463-40e9-ae3e-e9cc1a7bd2e7"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"Narrative Aberration in Othello","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"Narrative Aberration in Othello","subitem_title_language":"en"}]},"item_type_id":"9","owner":"1","path":["2384"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2019-04-22"},"publish_date":"2019-04-22","publish_status":"0","recid":"27881","relation_version_is_last":true,"title":["Narrative Aberration in Othello"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-01-16T04:20:05.457852+00:00"}