{"created":"2021-03-01T06:35:58.254805+00:00","id":27933,"links":{},"metadata":{"_buckets":{"deposit":"b3dad936-0a34-4e94-a381-166e425f81df"},"_deposit":{"id":"27933","owners":[],"pid":{"revision_id":0,"type":"depid","value":"27933"},"status":"published"},"_oai":{"id":"oai:nagoya.repo.nii.ac.jp:00027933","sets":["326:521:2321:2388"]},"author_link":["90950"],"item_1615768549627":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_9_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1997-10-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"52","bibliographicPageStart":"29","bibliographicVolumeNumber":"30","bibliographic_titles":[{"bibliographic_title":"IVY","bibliographic_titleLang":"en"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"In this paper, I intend to investigate the family relations in Sense and Sensibility (SS)(1811). In her first published novel, Austen described two contrastive families : the Ferrarses and the Dashwoods. Although they belong to the same class of landed gentry, their difference in property brings about the difference in family identity. While the wealthy Ferrarses are a typical landed family, the poor Dashwoods are identified as the modern family. In this comparison, I would like to demonstrate that the modern family is distinguished from the landed family not by its structure but by tactics to order the family relations. In other words, there is the striking continuity of patriarchy in a historical change from the landed family to the modern family. First, I focus on Edward Ferrars and show how strictly the landed family represses the eldest son. Austen depicts Edward as the eldest son who is discontent with his duty to patrimony. He wishes for independence from the family property and modest domestic comfort. His discontent and wishes are understandable if we look at the legal device of \"settlement\" which had been arranged for the inheritance of the landed property. In the settlement, the power of the eldest son to manage the landed property is extremely diminished. Besides, motives for marriage are subordinated to the increase of landed wealth. On the other hand, the Dashwood family hold no landed property because the father is dead and the estate is settled on the eldest son who is only half-blooded. However, the break from the patrimony makes them a modern family. They are not connected by landed wealth but by the emotional solidarity. Their relations are mutually affectionate and sympathetic. I call such emotional ties of the modern family \"domesticity.\" Of course, there might have been such a sentiment as domesticity in the pre-modern family as well. But what matters is that domesticity had come to be recognized as a sentiment of some significance whose quality should be distinguished from other unspecified sentiments in Austen's times. That is, the referent of \"domesticity\" is not an actual feeling emerged along with the rise of the modern family but a concept of a certain mentality represented as such. Hannah More and Maria Edgeworth provide good examples in this point. They show how the representation of domesticity is typically formulated. Especially, More contrasts sympathy with feeling and gives moral superiority to the former. Sympathy is altruistic while feeling is selfish. More claims that a source of sympathy is at home. Thus domesticity assumes moral authority in her text. Austen's antithetical structure of sense and sensibility applies this formulation of domesticity. These texts, including Austen, make domestioity work to refine the system of patriarchy. But as Edgeworth suggests, this refinement includes repression of female sexuality as the other side of the same coin.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_9_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"名古屋大学英文学会","subitem_publisher_language":"ja"},{"subitem_publisher":"The society of english literature and linguistics Nagoya University","subitem_publisher_language":"en"}]},"item_9_select_15":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_9_source_id_7":{"attribute_name":"ISSN（print）","attribute_value_mlt":[{"subitem_source_identifier":"0914-2266","subitem_source_identifier_type":"PISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Chiba, Urara","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"90950","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-05-09"}],"displaytype":"detail","filename":"ivy_30_29.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"ivy_30_29.pdf","objectType":"fulltext","url":"https://nagoya.repo.nii.ac.jp/record/27933/files/ivy_30_29.pdf"},"version_id":"dabdbeb1-043e-4e93-874f-bda44cdebcaa"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"Family Portraits : The Settlement and Domesticity in Sense and Sensibility","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"Family Portraits : The Settlement and Domesticity in Sense and Sensibility","subitem_title_language":"en"}]},"item_type_id":"9","owner":"1","path":["2388"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2019-05-09"},"publish_date":"2019-05-09","publish_status":"0","recid":"27933","relation_version_is_last":true,"title":["Family Portraits : The Settlement and Domesticity in Sense and Sensibility"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-01-16T04:20:09.944194+00:00"}