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They kept the spirit of independence and self-help, and at their financial crises, they improved their proper management with enough knowledge and responsibility. There were ambiguous evaluations of Friendly Societies: they are claimed to be nothing but a substructure to the ruling class and a part of economic activities. Their pamphlets rather show the possibilities that their vigilant activities might determine a model of ideal workers that is exploitable for the ruling classes, and that the detailed regulations of payment might lead to dehumanisation. In the next section, I compare the Friendly Society movement with the working-class activities presented in the novel. The novel not only reflects the movement but also re-examines the risks and problems of the actual Societies. Focusing on the dolls\u0027 dressmaker Jenny Wren, the novel also has a challenge to subvert the class system by the shift of the narrative perspective. In the last section, I explore the shift of the value system, which is at first based on money as the defining principle of domination. Money is devalued and redefined with the intrinsic value of humanity by the lower-class circle. The taxidermist Mr. Venus criticises the blind worship of materialism and embodies the spirit of genuine friendship and mutuality. By focusing on bodies, the novel reveals the problems which are hidden in the Friendly Society movement: the crises of internalising the bourgeois value system and of supporting the hierarchy as a substructure to the ruling classes and as a part of economic activities. 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The Friendly Society Movement and Our Mutual Friend
http://hdl.handle.net/2237/00030175
http://hdl.handle.net/2237/00030175e598d45f-52a6-49a6-bb9e-02e4854b7dda
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2019-05-10 | |||||
タイトル | ||||||
タイトル | The Friendly Society Movement and Our Mutual Friend | |||||
言語 | en | |||||
著者 |
Nonomura, Sakiko
× Nonomura, Sakiko |
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アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
抄録 | ||||||
内容記述 | Charles Dickens's Our Mutual Friend (1864-65) focuses on dead bodies. The purpose of this paper is to examine the novel from the standpoint of the body politic: the individual bodies represent the human collectives. The unburied bodies drifting on the Thames represent the problems overshadowing the society. The novel recovers the dignity of individual bodies and remodels society on a co-operative basis. The novel reveals a quest for a community and conveys the impulse towards social reforms. The point of my argument is that the novel is closely tied up with the Friendly Society movement of nineteenth-century England. It is the working-class people's co-operative movement for the primary purpose of conducting a respectable funeral after death. In the first section, I examine the characteristics of Friendly Societies, which had an extraordinary development until 1875 and took the initiative in the history of working-class movements. Their basic aims were the insurance against ill health and a burial grant for a respectable funeral. They kept the spirit of independence and self-help, and at their financial crises, they improved their proper management with enough knowledge and responsibility. There were ambiguous evaluations of Friendly Societies: they are claimed to be nothing but a substructure to the ruling class and a part of economic activities. Their pamphlets rather show the possibilities that their vigilant activities might determine a model of ideal workers that is exploitable for the ruling classes, and that the detailed regulations of payment might lead to dehumanisation. In the next section, I compare the Friendly Society movement with the working-class activities presented in the novel. The novel not only reflects the movement but also re-examines the risks and problems of the actual Societies. Focusing on the dolls' dressmaker Jenny Wren, the novel also has a challenge to subvert the class system by the shift of the narrative perspective. In the last section, I explore the shift of the value system, which is at first based on money as the defining principle of domination. Money is devalued and redefined with the intrinsic value of humanity by the lower-class circle. The taxidermist Mr. Venus criticises the blind worship of materialism and embodies the spirit of genuine friendship and mutuality. By focusing on bodies, the novel reveals the problems which are hidden in the Friendly Society movement: the crises of internalising the bourgeois value system and of supporting the hierarchy as a substructure to the ruling classes and as a part of economic activities. The novel re-claims the dignity of bodies by criticising dehumanisation and accelerates social reforms in a quest for a community, which is more truthful to the essential spirit of mutuality and friendship than the actual Friendly Societies. | |||||
言語 | en | |||||
内容記述タイプ | Abstract | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 名古屋大学英文学会 | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | The society of english literature and linguistics Nagoya University | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 0914-2266 | |||||
書誌情報 |
en : IVY 巻 33, p. 1-29, 発行日 2000-10-31 |
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著者版フラグ | ||||||
値 | publisher |