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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 7

「彼」のデカダンとは何か : 佐藤春夫「田園の憂鬱」再考

https://doi.org/10.18999/juncture.7.90
https://doi.org/10.18999/juncture.7.90
c065cc4f-105f-4cd4-b5af-2b732f2fff55
名前 / ファイル ライセンス アクション
JunCture7_11.pdf JunCture7_11.pdf (2.0 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-01-22
タイトル
タイトル 「彼」のデカダンとは何か : 佐藤春夫「田園の憂鬱」再考
言語 ja
その他のタイトル
その他のタイトル What “His” Decadence Is : Rethinking Haruo Sato’s Gloom in the Country
言語 en
著者 暢, 雁

× 暢, 雁

WEKO 95436

ja 暢, 雁

Search repository
Chang, Yan

× Chang, Yan

WEKO 95437

en Chang, Yan

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 Haruo Sato
キーワード
主題Scheme Other
主題 Gloom in the Country
キーワード
主題Scheme Other
主題 Decadence
キーワード
主題Scheme Other
主題 À rebours
キーワード
主題Scheme Other
主題 Taisho Period
抄録
内容記述 Haruo Sato’s novel Gloom in the Country is a story about an urban youth who, in a quest for peace of mind, decides to immigrate to a village that is encircled by big cities. Things do not go as the protagonist had hoped, however, and in the end, the young man is unable to heal his spirit afflicted by the clamor of the metropolis around him and continues to sink into a deep gloom. Most of the previous research regarding this novel has examined it as a typical work of decadent literature belonging to the Taisho Period and has included it into the larger genealogy of decadent literature that encompasses literary works of the West. This paper, however, interprets how the innate character of the decadence in this novel, differs from and, in some respects, even opposes the one found in the Western literature by taking Joris- Karl Huysmans’s À rebours as a representative of the latter. Then, based on the conclusion that the decadence of the West, as well as that of the late Meiji period, embody the spirit of modernism, which is progressive and innovative as a whole, a textual analysis of this paper reveals that although the decadence of the Taisho Period reflected in Gloom in the Country is phenomenally similar to the decadence of the West, the essence of the former is an expression of nostalgia for a glorified bygone era and a passive escapism from the status quo.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院文学研究科附属「アジアの中の日本文化」研究センター
出版者
言語 en
出版者 Japanese-in-Asia Cultural Research Center, Graduate School of Letters, Nagoya University
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.7.90
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 7, p. 90-100, 発行日 2016-03-28
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