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金史良の日本語文学が生成された批評空間 : 植民地出身作家の交流の場としての『文芸首都』
https://doi.org/10.18999/juncture.7.102
https://doi.org/10.18999/juncture.7.10278428ce9-fad7-4db0-96bd-1cd17d12314a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
JunCture7_12.pdf (1.8 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-01-22 | |||||
| タイトル | ||||||
| タイトル | 金史良の日本語文学が生成された批評空間 : 植民地出身作家の交流の場としての『文芸首都』 | |||||
| 言語 | ja | |||||
| その他のタイトル | ||||||
| その他のタイトル | The critical space of Kim Saryang’s Japanophone Literature : Bungei shuto as a place of colonial writers’ exchange | |||||
| 言語 | en | |||||
| 著者 |
高橋, 梓
× 高橋, 梓× Takahashi, Azusa |
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| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Kim Saryang | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Bungei shuto | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Japanophone Literature | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Korean writers | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Taiwanese writers | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This article examines the networks of colonial writers formed through the literary coterie magazine Bungei shuto (1933–1969), where many colonial writers like Kim Saryang published their works. Specifically, this paper attempts to explore the critical space of Kim Saryang’s Japanese-language works by analyzing study sessions of coterie members and readers, and letters exchanged between colonial writers in the coterie. Bungei shuto, published by Yasutaka Tokuzo, was created for the purpose of discovering new writers in response to the strong sectarianism in the Japanese literary establishment at that time. Because of this mission, Yasutaka’s colonial experience, and lobbying by Chang Hyokchu (a coterie member), many colonial writers came to participate in the magazine as members. These included the Korean writers Chang Hyokchu, Kim Saryang, and Kim Talsu, and Taiwanese writer Long Yingzong. Records of study sessions by members and readers reveal expectations for colonial writers. However, the colonial writers were not unilaterally evaluated by members and readers, but also began to create exchanges among themselves through criticism appearing in Bungei shuto. Letters between colonial writers also show that they formed personal connections through participation in Bungei shuto. These letters show that Kim Saryang and Long Yingzong shared an “anxiety” over their discomfort with the evaluations they received from the Japanese literary establishment, and that issues shared between Kim Saryang and Kim Talsu influenced their works. In this way, Bungei shuto created networks of colonial writers within the media of the “Empire” that cannot be fully subsumed into “national literature.” Although changes in Kim Saryang’s works have been viewed as a “retreat” from “nationalist writing,” viewed through the lens of these networks, they can be seen as a process of trial and error within the media of the “Empire.” This point of view offers the possibility of new ways of reading Kim Saryang’s works. | |||||
| 言語 | en | |||||
| 出版者 | ||||||
| 出版者 | 名古屋大学大学院文学研究科附属「アジアの中の日本文化」研究センター | |||||
| 言語 | ja | |||||
| 出版者 | ||||||
| 出版者 | Japanese-in-Asia Cultural Research Center, Graduate School of Letters, Nagoya University | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源 | http://purl.org/coar/resource_type/c_6501 | |||||
| タイプ | departmental bulletin paper | |||||
| 出版タイプ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| ID登録 | ||||||
| ID登録 | 10.18999/juncture.7.102 | |||||
| ID登録タイプ | JaLC | |||||
| ISSN（print） | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 1884-4766 | |||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 7, p. 102-113, 発行日 2016-03-28 |
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| 著者版フラグ | ||||||
| 値 | publisher | |||||
