@article{oai:nagoya.repo.nii.ac.jp:00029066,
 author = {今井, 瞳良 and Imai, Tsubura},
 journal = {JunCture : 超域的日本文化研究},
 month = {Mar},
 note = {The aim of this paper is to reveal the meaning behind the ambiguous body of Naoko in Kanojo to kare (She and He, 1963). In the 1960s danchi, residents’ association activities among housewives were thriving. This is because early consumer electronics became a part of home life in danchi, and so the time necessary to complete housework had been greatly reduced, leaving the housewives with a surplus of time. Through these consumer electronics, housework could be readily carried out by housewives of danchi, and the space of social interaction changed to danchi. The fact that the interaction of such housewives involved mothers and children had an important meaning. In this context, the ambiguous body of Naoko problematized the way the danchi gave value to mothers. And, these mothers were political.},
 pages = {126--137},
 title = {立ち上がる団地の母親たち : 『彼女と彼』における直子の曖昧な身体},
 volume = {7},
 year = {2016}
}