{"created":"2021-03-01T06:37:16.177351+00:00","id":29115,"links":{},"metadata":{"_buckets":{"deposit":"6b1d59cd-e73a-492f-abee-5120b5f1eb68"},"_deposit":{"id":"29115","owners":[],"pid":{"revision_id":0,"type":"depid","value":"29115"},"status":"published"},"_oai":{"id":"oai:nagoya.repo.nii.ac.jp:00029115","sets":["326:521:2363:2469"]},"author_link":["95626","95627","95628","95629","95630","95631"],"item_1615768549627":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_9_alternative_title_19":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"From My Fancy High Heels to Useless Clothing: ‘Interconnectedness’ and Ecocritical Issues in Transnational Documentaries","subitem_alternative_title_language":"en"}]},"item_9_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-17","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"47","bibliographicPageStart":"28","bibliographicVolumeNumber":"8","bibliographic_titles":[{"bibliographic_title":"JunCture : 超域的日本文化研究","bibliographic_titleLang":"ja"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Recent transnational documentaries are more and more committed to issues of global environmental justice, as well as revealing exploitative profit-driven production practices, with the assumption that transnationality in film enables us to see the global connectedness more readily. Such filmic representations of a deterritorialized culture facilitate us to make sense of the global network of products and messages flow, and make us aware of the both physical, as well as allegorical, symbolic, linkages between those seemingly disconnected worlds. From the food we eat and the news we read, the jeans and shoes we wear, to the world films, music and performances we enjoy, our living habits and daily routines today are unimaginable without global networks of information and exchange, regardless of which part of the world one is situated in. With reference to Jia Zhangke’s Wuyong/Useless (2007), and Ho Chao-ti’s Wo Ai Gaogenxie/ My Fancy High Heels (2010) for comparison, this article explores how transnationality in these documentaries, on one hand, facilitates the expression of ecocritical and environmentalist messages concerning nature and the environment, as well as the relationships between human and all other beings on the planet; and on the other, reveals the challenges and contradictions filmmakers and artists faced in the productions in attempts to reflect their ecological and environmental concerns, challenges and contradictions that are brought about by the unstoppable forces of excessive global consumerism.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_9_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"朱 翹瑋（梶川瑛里・藤木秀朗訳）。※本稿は、Kiu-wai Chu, “From My Fancy High Heels to Useless Clothing: ʻInterconnectednessʼ and Ecocritical Issues in Transnational Documentaries”, in Pietari Kääpä and Tommy Gustafsson (eds.), Transnational Ecocinema (Bristol/Chicago: Intellect Books/University of Chicago Press, 2013)の全訳である。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18999/juncture.8.28","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"名古屋大学大学院文学研究科附属「アジアの中の日本文化」研究センター","subitem_publisher_language":"ja"},{"subitem_publisher":"Japanese-in-Asia Cultural Research Center, Graduate School of Letters, Nagoya University","subitem_publisher_language":"en"}]},"item_9_select_15":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_9_source_id_7":{"attribute_name":"ISSN（print）","attribute_value_mlt":[{"subitem_source_identifier":"1884-4766","subitem_source_identifier_type":"PISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"朱, 翹瑋","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"95626","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"梶川, 瑛里","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"95627","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"藤木, 秀朗","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"95628","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"CHU, Kiu-wai","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"95629","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"KAJIKAWA, Eri","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"95630","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"FUJIKI, Hideaki","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"95631","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-01-23"}],"displaytype":"detail","filename":"JunCture8_5.pdf","filesize":[{"value":"2.2 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"JunCture8_5.pdf","objectType":"fulltext","url":"https://nagoya.repo.nii.ac.jp/record/29115/files/JunCture8_5.pdf"},"version_id":"745be172-5514-4813-9c86-fb0c4833eb5f"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"Chinese documentaries","subitem_subject_scheme":"Other"},{"subitem_subject":"Jia Zhangke","subitem_subject_scheme":"Other"},{"subitem_subject":"Useless","subitem_subject_scheme":"Other"},{"subitem_subject":"clothing industry","subitem_subject_scheme":"Other"},{"subitem_subject":"transnational cinema","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"『わが愛しのハイヒール』（2010）から『無用』（2007）に見る衣服 : トランスナショナル・ドキュメンタリーにおける「相互連関」とエコクリティシズムの問題","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"『わが愛しのハイヒール』（2010）から『無用』（2007）に見る衣服 : トランスナショナル・ドキュメンタリーにおける「相互連関」とエコクリティシズムの問題","subitem_title_language":"ja"}]},"item_type_id":"9","owner":"1","path":["2469"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2020-01-23"},"publish_date":"2020-01-23","publish_status":"0","recid":"29115","relation_version_is_last":true,"title":["『わが愛しのハイヒール』（2010）から『無用』（2007）に見る衣服 : トランスナショナル・ドキュメンタリーにおける「相互連関」とエコクリティシズムの問題"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-01-16T04:22:14.931009+00:00"}