{"created":"2021-03-01T06:37:25.536623+00:00","id":29255,"links":{},"metadata":{"_buckets":{"deposit":"b6eeee2e-0551-4025-b17d-e38b054f274c"},"_deposit":{"id":"29255","owners":[],"pid":{"revision_id":0,"type":"depid","value":"29255"},"status":"published"},"_oai":{"id":"oai:nagoya.repo.nii.ac.jp:00029255","sets":["326:521:2363:2473"]},"author_link":["95879","95880"],"item_1615768549627":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_9_alternative_title_19":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"The Woman Accuses, the Man Turns Away : The Representation of Colonial Experience and Hokkaido in Jakoman to tetsu (1949)","subitem_alternative_title_language":"en"}]},"item_9_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2012-03-06","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"138","bibliographicPageStart":"126","bibliographicVolumeNumber":"3","bibliographic_titles":[{"bibliographic_title":"JunCture : 超域的日本文化研究","bibliographic_titleLang":"ja"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"While many studies have shown how postwar Japan has concealed the facts of Japan's colonial adventures in order to reconstruct its national identity, one area that requires further investigation is how this policy relates to Hokkaido. This paper focuses on the relationship between awareness of colonial abuses and the reconstruction of Japan's nationality as well as the exploitation of representations of Hokkaido. This study will examine the film Jakoman to testu (1949) and compare it with contemporary discourse about and representations of Cold War Japan. Jakoman to tetsu depicts the lives of colonialized peoples in occupied Japan. This film suggests that the colonizers maintained their relationship with the colonized through violence by symbolizing it as a romantic relationship between an Ainu woman and the Japanese male lead. Despite this attempt to deal with Japan's colonizing efforts, the film, nevertheless, ends up making a plea for collective amnesia over Japan's colonial past while also calling for the exploitation of Hokkaido's natural resources as a means for Japan's reconstruction. I find that this representation is a projection of Japanese consciousness as Cold War victims of the Soviet Union and the U.S. occupation. This study shows that although Jakoman to Testsu attempts to represent consciousness about Japan's colonial adventures among Japanese men, these representations end up working to construct a new national identity wherein Japan is both victim and aggressor.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_9_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"本稿は、日本映像学会第37回大会（2011年5月29日北海道大学）での口頭発表「占領期におけるアイヌの表現と植民地主義」の一部を、執筆にあたり大幅に加筆、修正したものである。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18999/juncture.3.126","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"名古屋大学大学院文学研究科附属日本近現代文化研究センター","subitem_publisher_language":"ja"},{"subitem_publisher":"Research Center for Modern & Contemporary Japanese Culture, Nagoya University Graduate School of Letters","subitem_publisher_language":"en"}]},"item_9_select_15":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_9_source_id_7":{"attribute_name":"ISSN（print）","attribute_value_mlt":[{"subitem_source_identifier":"1884-4766","subitem_source_identifier_type":"PISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"大竹, 瑞穂","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"95879","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Otake, Mizuho","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"95880","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-02-05"}],"displaytype":"detail","filename":"juncture_3_126.pdf","filesize":[{"value":"1.0 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"juncture_3_126.pdf","objectType":"fulltext","url":"https://nagoya.repo.nii.ac.jp/record/29255/files/juncture_3_126.pdf"},"version_id":"b8c79c41-2195-4e15-a1ad-e2ac239e5fd9"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"告発する女、目を背ける男 : 映画『ジャコ萬と鉄』(1949年)における植民地経験と北海道","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"告発する女、目を背ける男 : 映画『ジャコ萬と鉄』(1949年)における植民地経験と北海道","subitem_title_language":"ja"}]},"item_type_id":"9","owner":"1","path":["2473"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2020-02-05"},"publish_date":"2020-02-05","publish_status":"0","recid":"29255","relation_version_is_last":true,"title":["告発する女、目を背ける男 : 映画『ジャコ萬と鉄』(1949年)における植民地経験と北海道"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-01-16T04:22:23.679014+00:00"}