{"created":"2021-03-01T06:37:27.005999+00:00","id":29277,"links":{},"metadata":{"_buckets":{"deposit":"f3874e4d-e5e7-442e-a2fd-d3467455d4cd"},"_deposit":{"id":"29277","owners":[],"pid":{"revision_id":0,"type":"depid","value":"29277"},"status":"published"},"_oai":{"id":"oai:nagoya.repo.nii.ac.jp:00029277","sets":["326:521:2363:2476"]},"author_link":["95902","95903"],"item_1615768549627":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_9_alternative_title_19":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"The Cove and the Culture of Affect","subitem_alternative_title_language":"en"}]},"item_9_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"23","bibliographicPageStart":"14","bibliographicVolumeNumber":"2","bibliographic_titles":[{"bibliographic_title":"JunCture : 超域的日本文化研究","bibliographic_titleLang":"ja"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Why is affect or emotion so often evoked in connection with the very concept of identity, especially national identity, in our contemporary consumer society? Granted that, as recent scholars have argued affect has the power to flow beyond subject and identity, how can the link between affect and national identity, or nationalism, be broken? This essay introduces the central issues of the special section \"In Focus,\" and discusses the Academy Award-winning documentary, The Cove (2009), as an interesting case. Like mainstream Hollywood cinema, this film, I argue, incorporates affect as a consumable conventional component into its narrative and stylistic construction and, in so doing, links them with national identity. It is clear that the film is a Manichean narrative, which depicts the ecological activist Ric O'Barry as heroic and the fishermen in Taijicho as evil. Its mystery plot strengthens this division through a process whereby the hero investigates the fishermen's secret dolphin hunt, eventually reveals it, and then lodges a complaint with the International Whaling Commission. More significantly, affect is invested into this polarized story, as O'Barry is portrayed as brave, affectionate to animals, considerate to his colleagues, and decries Taijicho's dolphin hunt, whereas the fishermen are portrayed as expressionless, odd, or irritable. Moreover, the climactic scene in which the fishermen are hunting dolphins in the bloody cove is a crucial moment of affect that possibly induces in the spectator a physical reaction such as trembling, shock, or an uncontrollable gasp or groan. What is at stake here is that the affectively laden negative side is inextricably linked with the national identity of the represented Japanese. How can we liberate affect from this connection and mobilize it beyond the concept of identity? I pose this question while contending that the theories of subject-positioning and identity politics are both at best ineffective, or even present impediments to really exploring the issue.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18999/juncture.2.14","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"名古屋大学大学院文学研究科附属日本近現代文化研究センター","subitem_publisher_language":"ja"},{"subitem_publisher":"Research Center for Modern & Contemporary Japanese Culture, Nagoya University Graduate School of Letters","subitem_publisher_language":"en"}]},"item_9_select_15":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_9_source_id_7":{"attribute_name":"ISSN（print）","attribute_value_mlt":[{"subitem_source_identifier":"1884-4766","subitem_source_identifier_type":"PISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"藤木, 秀朗","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"95902","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Fujiki, Hideaki","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"95903","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-02-10"}],"displaytype":"detail","filename":"juncture_2_14.pdf","filesize":[{"value":"1.7 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"juncture_2_14.pdf","objectType":"fulltext","url":"https://nagoya.repo.nii.ac.jp/record/29277/files/juncture_2_14.pdf"},"version_id":"83c8c3a6-11e0-4680-bd8e-68db9b67ade4"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"『ザ・コーヴ』と情動の文化 : 序に代えて","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"『ザ・コーヴ』と情動の文化 : 序に代えて","subitem_title_language":"ja"}]},"item_type_id":"9","owner":"1","path":["2476"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2020-02-10"},"publish_date":"2020-02-10","publish_status":"0","recid":"29277","relation_version_is_last":true,"title":["『ザ・コーヴ』と情動の文化 : 序に代えて"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-01-16T04:22:00.554092+00:00"}