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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 2

共同体への憧憬 : 小山内薫の芸術観と大本教信仰

https://doi.org/10.18999/juncture.2.180
f6ef0c97-36b6-4e73-8c0d-c59902fb57cb
名前 / ファイル ライセンス アクション
juncture_2_180.pdf juncture_2_180.pdf (820.4 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-02-10
タイトル
タイトル 共同体への憧憬 : 小山内薫の芸術観と大本教信仰
その他のタイトル
その他のタイトル Yearning for Community : The Relationship between Osanai Kaoru's Artistic Views and His Faith in Oomoto Religion
著者 竹内, 瑞穂

× 竹内, 瑞穂

WEKO 95928

竹内, 瑞穂

Search repository
Takeuchi, Mizuho

× Takeuchi, Mizuho

WEKO 95929

Takeuchi, Mizuho

Search repository
抄録
内容記述 Osanai Kaoru was one of the pioneers in the Japanese new-drama movement. This article examines the relationship between Osanai's artistic views and his faith in Oomoto, a new religion which was popular in the Taisho Period. Although other studies have concluded that Osanai 's faith in Oomoto was a temporary delusion, his belief was not a form of madness. Osanai developed his own rationale for believing in Oomoto. Oomoto used its own newspapers to publicize prophecies that the world would be reborn in 1921. These publication activities were unanimously criticized by the mainstream mass media. The mass media held up Osanai as a prime example of the "ignorant intellecrual" who believed in heretical prophecies. However, Osanai's texts and his film entitled Mysterious Ayabe showed that the narure of his faith was clearly different from the image constructed by the mass media made. There were two points which attracted Osanai to Oomoto. One was that the canon of Oomoto forcefully declared that each follower had to affirm the canon as absolute truth. The other was that the followers who believed in the canon formed a strong community. Why did these two aspects of Oomoto attract Osanai? Osanai was worried about how the general public did not share his artistic values. Therefore, Osanai faced a dilemma: He would become out of date if he ignored the people who were the symbol of the new age, or he would have to fundamentally change his art if he catered their wishes. Osanai yearned for Oomoto community because Oomoto followers shared one value and formed a sense of solidarity in that value. The Oomoto community represented the ideal relationship between art and the people which Osanai wanted to form but could never achieve. In short, for Osanai, faith in Oomoto was a solution to the conflict between art and the people.
内容記述タイプ Abstract
内容記述
内容記述 p.191の画像は都合により掲載しておりません。
内容記述タイプ Other
出版者
出版者 名古屋大学大学院文学研究科附属日本近現代文化研究センター
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
ID登録
ID登録 10.18999/juncture.2.180
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ ISSN
収録物識別子 1884-4766
書誌情報 JunCture : 超域的日本文化研究

巻 2, p. 180-192, 発行日 2011-03-01
著者版フラグ
値 publisher
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