{"created":"2021-03-01T06:37:28.033087+00:00","id":29290,"links":{},"metadata":{"_buckets":{"deposit":"ed7f1122-6c51-4438-9067-db42993f7c4a"},"_deposit":{"id":"29290","owners":[],"pid":{"revision_id":0,"type":"depid","value":"29290"},"status":"published"},"_oai":{"id":"oai:nagoya.repo.nii.ac.jp:00029290","sets":["326:521:2363:2476"]},"author_link":["95930","95931"],"item_1615768549627":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_9_alternative_title_19":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Illustrations in Post-Reproduction Technology : Tanaka Ryō, Iwata Sentarō and Visual Culture","subitem_alternative_title_language":"en"}]},"item_9_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"205","bibliographicPageStart":"194","bibliographicVolumeNumber":"2","bibliographic_titles":[{"bibliographic_title":"JunCture : 超域的日本文化研究","bibliographic_titleLang":"ja"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This article reexamines the significance of the illustrations included in serialized novels publicized in the major newspapers of the 1920's and the 1930's. Generally, an illustration is used to visualize the world described by a novel and to help readers to imprint the main scene of each segment of the serialized novel on their memories, and can thus be considered an additional element to the novels. However, the illustrations act not only as explanations of the stories, but also as visual art with its own significance/intentions and thus present unique possibilities for communication via visual culture. Moreover, the reexamination of the illustrations from this particular era illuminates similar issues as those raised by Walter Benjamin in his \"Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit,\" in terms of drastic technological progress in plate making and printing. This article focuses on the works of Tanaka Ryō and Iwata Semaro. They both became very popular in 1920's, but there is not much research on their work and the relationship between their work and popular literature or the mass media. Tanaka's works are lucid and sophisticated, and ingeniously visualize the bourgeois lifestyle. He contributed drawings to Tanizaki Junichirō's Chijin no Ai (1924). Tanaka struggled to bring Naomi, the main female character of the novel, to life in his illustrations, for Naomi is depicted as a very progressive woman in comparison with other Japanese women of this time. Tanaka's efforts can be seen as a unique experiment in re-imagining and re-locating \"a progressive woman\" in visual art. Iwata epitomizes the Japanese modern popular illustrators of his time. His works are vivid and brilliant. He uses compositions influenced by cinematography. His work can be seen as a good example of the new possibilities offered by illustration to formulate a unique visual culture.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_9_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"p.198,200,201,203,204の画像は都合により掲載しておりません。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18999/juncture.2.194","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"名古屋大学大学院文学研究科附属日本近現代文化研究センター","subitem_publisher_language":"ja"},{"subitem_publisher":"Research Center for Modern & Contemporary Japanese Culture, Nagoya University Graduate School of Letters","subitem_publisher_language":"en"}]},"item_9_select_15":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_9_source_id_7":{"attribute_name":"ISSN（print）","attribute_value_mlt":[{"subitem_source_identifier":"1884-4766","subitem_source_identifier_type":"PISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"諸岡, 知徳","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"95930","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Morooka, Tomonori","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"95931","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-02-10"}],"displaytype":"detail","filename":"juncture_2_194.pdf","filesize":[{"value":"881.2 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"juncture_2_194.pdf","objectType":"fulltext","url":"https://nagoya.repo.nii.ac.jp/record/29290/files/juncture_2_194.pdf"},"version_id":"69579087-2c91-4cbf-835c-62d8d882d4db"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"複製技術時代の挿絵 : 田中良/岩田専太郎/視覚文化","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"複製技術時代の挿絵 : 田中良/岩田専太郎/視覚文化","subitem_title_language":"ja"}]},"item_type_id":"9","owner":"1","path":["2476"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2020-02-10"},"publish_date":"2020-02-10","publish_status":"0","recid":"29290","relation_version_is_last":true,"title":["複製技術時代の挿絵 : 田中良/岩田専太郎/視覚文化"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-01-16T04:22:00.871803+00:00"}