{"created":"2021-03-01T06:38:08.641276+00:00","id":29898,"links":{},"metadata":{"_buckets":{"deposit":"fa103504-e4a9-4c78-b976-50d24d8733e6"},"_deposit":{"id":"29898","owners":[],"pid":{"revision_id":0,"type":"depid","value":"29898"},"status":"published"},"_oai":{"id":"oai:nagoya.repo.nii.ac.jp:00029898","sets":["326:521:2127:2495"]},"author_link":["98334","98335"],"item_1615768549627":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_9_alternative_title_19":{"attribute_name":"その他のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"Interpretation on Eileen Chang through Drawings","subitem_alternative_title_language":"en"}]},"item_9_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"80","bibliographicPageStart":"63","bibliographicVolumeNumber":"3","bibliographic_titles":[{"bibliographic_title":"名古屋大学人文学フォーラム","bibliographic_titleLang":"ja"}]}]},"item_9_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This study explains Eileen Chang's unique perspectives on art, literature and social issues by interpreting the creation intentions of paintings, including the preparatory drawings by her and a satirical painting settles on the subject matter of female writers. There are two perspectives presented in the painting: the observer and the object of observation/rebel. From the perspective of the observer, Eileen Chang habituate herself to observing the object of observation under the premise of keeping a certain distance; in this case, the behavior of observation actually forms a unique power relationship, that is, a compulsory and restrictive power relationship led by the observer -- Eileen Chang, which may be regarded as analogous to the observer-led power operating mechanism of French philosopher Michel Foucault's panopticism, that is, a prospective surveillance model for external surveillance. In the perspective of the object of observation/rebel, Eileen Chang, who is under the passive state, through the image of Eileen Chang, the object of observation, has not only counterattacked against opinions of the public like readers and media, but also regained the initiative of shaping her personal image. At the same time, she further subverts the traditional gender formula of male -- observer/ the subject of desire, female -- the object of observation/ the object of desire through her paintings, further challenging the paternal patriarchal system.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_9_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"本稿は、2018年度中国文芸研究会10月例会（10月28日、於立命館大学）での報告「絵から読む張愛玲像」を元に増補修正を加えたものである。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18999/humfnu.3.63","subitem_identifier_reg_type":"JaLC"}]},"item_9_publisher_32":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"名古屋大学大学院人文学研究科図書・論集委員会","subitem_publisher_language":"ja"}]},"item_9_select_15":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_select_item":"publisher"}]},"item_9_source_id_7":{"attribute_name":"ISSN（print）","attribute_value_mlt":[{"subitem_source_identifier":"2433-2321","subitem_source_identifier_type":"PISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"楊, 韵","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"98334","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Yang, Yun","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"98335","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-05-13"}],"displaytype":"detail","filename":"humfnu_3_63.pdf","filesize":[{"value":"3.7 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"humfnu_3_63.pdf","objectType":"fulltext","url":"https://nagoya.repo.nii.ac.jp/record/29898/files/humfnu_3_63.pdf"},"version_id":"4a17ebc6-a64c-4bab-9860-82f86a612098"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"絵","subitem_subject_scheme":"Other"},{"subitem_subject":"張愛玲","subitem_subject_scheme":"Other"},{"subitem_subject":"傍観者","subitem_subject_scheme":"Other"},{"subitem_subject":"抵抗者","subitem_subject_scheme":"Other"},{"subitem_subject":"パノプティコン","subitem_subject_scheme":"Other"},{"subitem_subject":"drawing","subitem_subject_scheme":"Other"},{"subitem_subject":"Eileen Chang","subitem_subject_scheme":"Other"},{"subitem_subject":"observer","subitem_subject_scheme":"Other"},{"subitem_subject":"rebel","subitem_subject_scheme":"Other"},{"subitem_subject":"panopticon","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"絵から読む張愛玲像","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"絵から読む張愛玲像","subitem_title_language":"ja"}]},"item_type_id":"9","owner":"1","path":["2495"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2020-05-13"},"publish_date":"2020-05-13","publish_status":"0","recid":"29898","relation_version_is_last":true,"title":["絵から読む張愛玲像"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-02-01T04:16:46.928488+00:00"}