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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. 名古屋大学人文学フォーラム
  4. 3

「聖なる目標」の歴史的文脈 : 『国民の誓』に見る国際映画の終焉

https://doi.org/10.18999/humfnu.3.97
https://doi.org/10.18999/humfnu.3.97
8bf6da02-d04b-4e70-94c5-4b363e607e2f
名前 / ファイル ライセンス アクション
humfnu_3_97.pdf humfnu_3_97.pdf (2.3 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-05-13
タイトル
タイトル 「聖なる目標」の歴史的文脈 : 『国民の誓』に見る国際映画の終焉
言語 ja
その他のタイトル
その他のタイトル The Historical Context of Holy Purpose : A case study of the international film, Kokumin no Chikai
言語 en
著者 中川, 拓哉

× 中川, 拓哉

WEKO 98338

ja 中川, 拓哉

Search repository
Nakagawa, Takuya

× Nakagawa, Takuya

WEKO 98339

en Nakagawa, Takuya

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 国際映画
キーワード
主題Scheme Other
主題 日中戦争
キーワード
主題Scheme Other
主題 日独関係
キーワード
主題Scheme Other
主題 Kokusai Eiga
キーワード
主題Scheme Other
主題 the Second Sino-Japanese War
キーワード
主題Scheme Other
主題 German-Japanese relations
抄録
内容記述 The term “Kokusai Eiga” (International Film) emerged in some film magazines around 1936. It first referred to films produced to introduce “correct” images of Japan and the Japanese to Western countries, instead of images that were often exaggerated to portray an exotic and strange land. They also sought critical acclaim. The best-known international film was Atarashiki Tsuchi (New Earth), a Japanese-German co-production in 1937. Nevertheless, after opening to the public, it was criticized intensely for two reasons. First, “Japan” in the film was just as exoticized as it had been in the usual newsreels, which was exactly what Kokusai Eiga had sought to overcome. Second, Atarashiki Tsuchi was criticized for the ways in which it alluded to the 1936 Anti-Comintern Pact. The German director Arnold Funk depicted the similarity of the Japanese national character to the Nazi ideology to stress the friendly relationship between both countries. The failure of Atarashiki Tsuchi disappointed the critics, and they began to wonder if only the Japanese could understand Japan. After the start of the Second Sino-Japanese War in July 1937, the Japan government attempted to use film for propaganda purpose and asked filmmakers to express “Kokumin Seishin” (the national mind) in film. The 1938 film, Kokumin no Chikai (Holy Purpose), was a Kokusai Eiga, and may be considered a successor of Atarashiki Tsuchi. Kokumin no Chikai was an answer to the criticism of Atarashiki Tsuchi but also to the requests of the government concerning the expression of “Kokumin Seishin.” The people in the film devote themselves to their nation, suppressing their personal feelings and circumstances. This film depicted images of a loyal “nation” but at the same time missed the original purpose of Kokusai Eiga, which was to introduce characteristic images of the “Japanese” to other countries.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科図書・論集委員会
言語
言語 jpn
資源タイプ
資源 http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/humfnu.3.97
ID登録タイプ JaLC
ISSN(print)
収録物識別子タイプ PISSN
収録物識別子 2433-2321
書誌情報 ja : 名古屋大学人文学フォーラム

巻 3, p. 97-111, 発行日 2020-03-31
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