@article{oai:nagoya.repo.nii.ac.jp:00030059,
 author = {大井田, 晴彦 and Oida, Haruhiko},
 journal = {名古屋大学人文学研究論集},
 month = {Mar},
 note = {Even though Isemonogatari and Yamatomonogatari are works of the same period, their characteristics are very different. Isemonogatari depicts the life of a man after Ariwara no Narihira, his real name is not revealed. In Yamatomonogatari, there is no hero, many poets appear, they are introduced by there real names. Several chapters of Yamatomonogatari are based on Isemonogatari. For example, Comparing chpter23 of Isemonogatari and 149 of Yamatomonogatari, Yamatomonogatari has benn evaluated as inferior to Isemonogatari. This paper focuses on chapters 160–166, which Narihira appears. In these chapters, romance in the palace is an important topic. Romance of Saigu, downward to Azuma, friendship of men, these topics are not covered. Yamatomonogatari doesn’t imitate Isemonogatari, modified in various ways. In Yamatomonogatari, Nizyou no Kisaki (Takaiko)’s character is changed as an aggressive woman in love. The empathy of Narihira is emphasized by the characters such as Somedono no Naishi and Ben no Miyasundokoro. Narihira died alone in Isemonogatari. In contrast, his death was mourned by many women. Yamatomonogatari tries to create new stories while being influenced by Isemonogatari.},
 pages = {373--385},
 title = {伊勢物語と大和物語},
 volume = {3},
 year = {2020}
}