@article{oai:nagoya.repo.nii.ac.jp:00004726, author = {Hosokawa, Minae}, journal = {国際開発研究フォーラム, Forum of International Development Studies}, month = {Feb}, note = {This essay discusses Mary Shelley’s recently discovered novel, Maurice, or The Fisher’s Cot written in 1820. The novel had been overlooked as a story written merely to entertain a child, because Shelley presented the story to a daughter of her friend. The story is a typical fair foundling story, in which the eponymous character Maurice, stolen from his wealthy parents, wanders around to be found by his father. A significant part of the story is comprised of narrations between Maurice and a traveler --- the traveler turns out to be Maurice’s real father searching for his son. Contrary to a negative father-son bond in Frankenstein, there is a positive one in Maurice; however, the two stories have a motif in common. That is a wandering person who seeks three things: a position in society, identity, and family. Family, in these novels, represented in the father-son bond without participation from a mother. This motif underlines the importance in the father-son bond by which males must gain a position in society. Despite the critical neglect of the novel, this paper will explain the exploratory importance of Maurice that illustrates Shelley’s critical insight into the patriarchal succession of authority which rules out women. This issue is made clearer when comparing Maurice with Frankenstein and by introducing the circumstances of the novel’s creation.}, pages = {81--97}, title = {Wandering and Belonging in Mary Shelley’s Writings : Frankenstein and Maurice, or The Fisher’s Cot}, volume = {25}, year = {2004} }