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谷川徹三に継承された有島武郎の審美眼
https://doi.org/10.18999/joufll.61.89
https://doi.org/10.18999/joufll.61.89949fdbf8-31c4-46a7-b235-b6bb484bfd73
名前 / ファイル | ライセンス | アクション |
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joufll_61_89.pdf (673.3 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2015-04-13 | |||||
タイトル | ||||||
タイトル | 谷川徹三に継承された有島武郎の審美眼 | |||||
言語 | ja | |||||
その他のタイトル | ||||||
その他のタイトル | Transmission of the eye for the Beauty from Arishima Takeo to Tanigawa Tetsuzo | |||||
言語 | en | |||||
著者 |
杉淵, 洋一
× 杉淵, 洋一× SUGIBUCHI, YOICHI |
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アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Tanigawa Tetsuzo | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Arishima Takeo | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Leaves of grass | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Walt Whitman | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Aesthetics | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 谷川徹三 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 有島武郎 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 草の葉会 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ウォルト・ホイットマン | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 審美眼 | |||||
抄録 | ||||||
内容記述 | With a large contribution in his outstanding career, Tanigawa Tetsuzo (1895-1989), born in Tokoname city (Aichi), is certainly one of the well-known philosophers in Japan. After graduated from the Fifth junior higher school of Aichi prefecture at Nagoya, he entered, in 1913, the First higher school of Japan in Tokyo. Studying in this institution, he join, with interests in Walt Whitman's poems, in the Society of Leaves of grass (Kusanohakai), founded by Arishima Takeo (1878-1923) and five students of the First higher school in 1917. Tanigawa became immediately a keen member of this society and then one of the disciples of Arishima. After the suicide of Arishima in 1923, Tanigawa had become not only philosopher but also specialist on the artistic domains like art history, fine art, aesthetics, pottery, cinema, antique etc. In later years, Tanigawa said that he had studied his eye for the beauty via Arishima's apollonian viewpoint. Therefore, in this paper, I analyze, in detail, the friendship between Tanigawa and Arishima and, considering their artistic works, disclose the process of transmission of the sense of value for the beauty from Arishima to Tanigawa. | |||||
言語 | en | |||||
内容記述タイプ | Abstract | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 名古屋大学文学部 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ID登録 | ||||||
ID登録 | 10.18999/joufll.61.89 | |||||
ID登録タイプ | JaLC | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 0469-4716 | |||||
書誌情報 |
ja : 名古屋大学文学部研究論集. 文学 巻 61, p. 89-111, 発行日 2015-03-31 |
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著者版フラグ | ||||||
値 | publisher | |||||
URI | ||||||
識別子 | http://hdl.handle.net/2237/21550 | |||||
識別子タイプ | HDL |