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<芸術性>をいかに裁くか : 三島由紀夫「宴のあと」、高橋治「名もなき道を」、柳美里「石に泳ぐ魚」
https://doi.org/10.18999/joufll.61.181
https://doi.org/10.18999/joufll.61.181cf582d60-6c0d-4df1-b337-904620edcc4a
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2015-04-16 | |||||
タイトル | ||||||
タイトル | <芸術性>をいかに裁くか : 三島由紀夫「宴のあと」、高橋治「名もなき道を」、柳美里「石に泳ぐ魚」 | |||||
言語 | ja | |||||
その他のタイトル | ||||||
その他のタイトル | How Do We Judge Artistic Quality ?: On MISHIMA Yukio's "After the Banquet," TAKAHASHI Osarnu's "Namonaki Michi wo (Down a Nameless Road)" and YÛ Miri's "Ishi ni Oyogu Sakana (A Fish Swimming in Stone)" | |||||
言語 | en | |||||
著者 |
日比, 嘉高
× 日比, 嘉高× HIBI, Yoshitaka |
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アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | モデル問題 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 名もなき道を | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 宴のあと | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 高橋治 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 石に泳ぐ魚 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Model-problem | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Namonaki Michi wo (Down a Nameless Road) | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | After the Banquet | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | TAKAHASHI Osamu | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Ishi ni Oyogu Sakana | |||||
抄録 | ||||||
内容記述 | In this paper I discuss how literary studies could contribute to a legal argument concerning the artistic quality of literary works. To this end, I will revisit points of discussions in a series of legal trials regarding invasions of privacy found in literary texts, namely MISHIMA Yukio's "After the Banquet," TAKAHASHI Osamu's "Namonaki Michi wo (Down a Nameless Road)", and YÛ Miri's "Ishi ni Oyogu Sakana (A Fish Swimming in Stone)." The problems surrounding artistic quality - how to judge it, and whether or not to take it into account at all - have continued to trouble lawyers since it first became a crucial point in the judgment of "After the Banquet" in 1960. I suggest that 'artistic quality' refers to the possibilities of art. In particular, I argue that it can function to provide a comprehensive framework for understanding humanness in the public sphere. | |||||
言語 | en | |||||
内容記述タイプ | Abstract | |||||
出版者 | ||||||
言語 | ja | |||||
出版者 | 名古屋大学文学部 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
ID登録 | ||||||
ID登録 | 10.18999/joufll.61.181 | |||||
ID登録タイプ | JaLC | |||||
ISSN(print) | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 0469-4716 | |||||
書誌情報 |
ja : 名古屋大学文学部研究論集. 文学 巻 61, p. 181-202, 発行日 2015-03-31 |
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著者版フラグ | ||||||
値 | publisher | |||||
URI | ||||||
識別子 | http://hdl.handle.net/2237/21561 | |||||
識別子タイプ | HDL |