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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 12

気候変動時代における経済の主役 : 環境人文学の視点からの読解

https://doi.org/10.18999/juncture.12.56
https://doi.org/10.18999/juncture.12.56
ef7a6200-d14a-4d41-8256-6483c274db4d
名前 / ファイル ライセンス アクション
juncture_12_56.pdf juncture_12_56.pdf (1.3 MB)
Item type itemtype_ver1(1)
公開日 2021-05-19
タイトル
タイトル 気候変動時代における経済の主役 : 環境人文学の視点からの読解
言語 ja
その他のタイトル
その他のタイトル An Inner Journey of Minor Economic Protagonists in the Time of Climate Change
言語 en
著者 孟, 悦

× 孟, 悦

ja 孟, 悦

en MENG, Yue

Search repository
陳, 悦

× 陳, 悦

ja 陳, 悦

en CHEN, Yue

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 プラスチック王国
キーワード
主題Scheme Other
主題 格非
キーワード
主題Scheme Other
主題 環境人文学
キーワード
主題Scheme Other
主題 資本
キーワード
主題Scheme Other
主題 自己
キーワード
主題Scheme Other
主題 Plastic China
キーワード
主題Scheme Other
主題 Ge Fei
キーワード
主題Scheme Other
主題 Environmental Humanities
キーワード
主題Scheme Other
主題 Capital
キーワード
主題Scheme Other
主題 Self
内容記述
内容記述 Human societies have yet to do what is necessary to halt climate change. The Paris Agreement was followed by the warmest years on record, as the global temperature increased to 1.2 °C above the preindustrial level, leaving a margin of 0.3 °C before the point of no return. Some critics attribute the ineffectiveness of the Paris Agreement to the withdrawal of the United States. I argue that the ineffectiveness is rooted in the general and internalized cultural politics of climate act deferral. This essay focuses on mechanism of such deferral that is characteristic to the inner journey of the mass economic protagonists in China. As both the agent and victim of the global environmental crisis, these new economic protagonists—in particular, the middle and the lower strata— are caught in the intense rivalry between economic promise of good life and the ecological and biological deterioration of life it causes. From an engaging environmental humanities approach, the essay provides a critical reading of Wang Jiuliang’s Plastic China (2016), Ge Fei’s Expecting Spring Wind (2016), and Jon Betz and Taggart Siegel’s Seeds: The Untold Story (2016). The essay seeks to demonstrate the ways in which the filmmakers and writer capture the contradictory “selves” of these actorsvictims and depict the gulf between their economy and livelihood. How to heal these selves and rebuild their livelihoods despite the “economy” remains a key challenge.
言語 en
内容記述タイプ Abstract
内容記述
内容記述 陳悦(訳)
言語 ja
内容記述タイプ Other
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属超域文化社会センター
言語
言語 jpn
資源タイプ
資源タイプresource http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.12.56
ID登録タイプ JaLC
収録物識別子
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 12, p. 56-70, 発行日 2021-03-26
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