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教会結婚式と1980年代日本映画 : 『カリブ・愛のシンフォニー』（1985年）を代表例として
https://doi.org/10.18999/juncture.12.138
https://doi.org/10.18999/juncture.12.13808919eda-9f5e-463d-8fc7-872b2dd1c62c
| 名前 / ファイル | ライセンス | アクション |
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juncture_12_138.pdf (1.4 MB)
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| Item type | itemtype_ver1(1) | |||||||||
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| 公開日 | 2021-05-19 | |||||||||
| タイトル | ||||||||||
| タイトル | 教会結婚式と1980年代日本映画 : 『カリブ・愛のシンフォニー』（1985年）を代表例として | |||||||||
| 言語 | ja | |||||||||
| その他のタイトル | ||||||||||
| その他のタイトル | Church Wedding and Japanese Films in the 1980s : Carib, Symphony of Love (1985) as the Representative Example | |||||||||
| 言語 | en | |||||||||
| 著者 |
長谷川, 功一
× 長谷川, 功一
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| キーワード | ||||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 教会結婚式 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 松田聖子 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 家制度 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | 1980年代 | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | church wedding | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | Matsuda Seiko | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | paternalistic family system | |||||||||
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| 主題Scheme | Other | |||||||||
| 主題 | the 1980s | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | This article discusses the relationships between church weddings and Japanese Films in the 1980s. In Japan, church weddings are the most popular style of wedding although almost all Japanese are not Christian. Church weddings began to gain popularity in the second half of the 1980s. Three social and cultural changes allowed this shift to occur. The first is the decline in prominence of the Ie-Seido, or paternalistic family system. Since the Meiji period, marriage had been regarded as the connection between Ie (families) but this family system started to decline in the 80s, when marriage had come to be thought of as the bond between individual persons instead. Because of this change of thought, young couples became likely to choose church weddings instead of the traditional Shinto-rites wedding. The second change is Hollywood films. Japanese saw church weddings through Hollywood films and a longing for it had been aroused by these filmic experiences. The third change is that Japanese famous movie stars and singers held church weddings in the 70s and 80s. These ceremonies were widely reported through magazines, newspapers, and televisions, and became good opportunities for church weddings to become widely known among the public. Reflecting this trend, church weddings started to appear more frequently in Japanese films in the 1980s. Among those films, this article examines Carib, Symphony of Love (1985), starring singer Matsuda Seiko. This is a representative example of the three social/cultural changes mentioned. The absence of a father of the heroin can be interpreted as an indication of the decline of Ie-Seido, and the depiction of the church wedding scene is influenced by the Hollywood film The Graduate (1967). Interestingly, just after finishing this film, Matsuda Seiko married an actor with whom she co-starred in this film. Her church wedding became a big media event and was said to have aroused longings for church weddings among young women. | |||||||||
| 言語 | en | |||||||||
| 出版者 | ||||||||||
| 出版者 | 名古屋大学大学院人文学研究科附属超域文化社会センター | |||||||||
| 言語 | ja | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.18999/juncture.12.138 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | PISSN | |||||||||
| 収録物識別子 | 1884-4766 | |||||||||
| 書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 12, p. 138-147, 発行日 2021-03-26 |
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