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島崎藤村「嵐」における〈ユーモア〉の志向とその帰趨 : 松尾芭蕉評価を補助線として
https://doi.org/10.18999/juncture.12.176
https://doi.org/10.18999/juncture.12.1767f4cd11f-14d8-4da9-b591-12821237be03
名前 / ファイル | ライセンス | アクション |
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juncture_12_176.pdf (1.7 MB)
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Item type | itemtype_ver1(1) | |||||||||
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公開日 | 2021-05-19 | |||||||||
タイトル | ||||||||||
タイトル | 島崎藤村「嵐」における〈ユーモア〉の志向とその帰趨 : 松尾芭蕉評価を補助線として | |||||||||
言語 | ja | |||||||||
その他のタイトル | ||||||||||
その他のタイトル | The Intention of Humor in Shimazaki Tōson’s Arashi, and Its Consequences : Projecting on the Matsuo Bashō Critique | |||||||||
言語 | en | |||||||||
著者 |
栗原, 悠
× 栗原, 悠
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 島崎藤村 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 松尾芭蕉 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | ユーモア | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 心境小説 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | ナショナリズム | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | Shimazaki Tōson | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | Matsuo Bashō | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | Humor | |||||||||
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主題Scheme | Other | |||||||||
主題 | Shinkyō-shōsetsu | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | nationalism | |||||||||
内容記述 | ||||||||||
内容記述タイプ | Abstract | |||||||||
内容記述 | 1926 was a time of popular debate over the “Shinkyō-Shōsetsu” (meaning “novel of the state of mind”) and the “Honkaku-Shōsetsu” (meaning “authentic novel”) in literary circles. Among these, Arashi by Shimazaki Tōson, published in the journal Kaizō in September the same year, was highly acclaimed as a “Shinkyō-Shōsetsu” that perfectly depicted the author’s own subjectivity through the text. In contrast, the “Honkaku-Shōsetsu,” which problematizes the Oriental/Japanese style that holds the subjectivity of the “novel of the state of the mind” closely to oneself, models itself on Western novels and places the emphasis on objectivity to depict others and society. However, Arashi was also lauded from this perspective, and was ultimately appraised as an outstanding novel based on both of these contrasting standards. In order to first consider why this work was appraised in such an ambiguous way, this paper first focuses on the following points: that Matsuo Bashō’s name is frequently brought up as a model of the “novel of the state of the mind,” and that Tōson himself had expounded on the Bashō theory in an essay on his impressions during the same period. Taking these points into consideration, this paper then brings up the point that Toson’s argument covers Bashō’s argument with regard to humor and its affinity with children. At the same time, it affirms the contemporary context of the word “humor,” and picks up on how this has been woven into the motif of “arashi” (meaning “storm”) and the story structure as a line of reasoning for resolving the conflict between subjectivity and objectivity. In conclusion, while examining how this device functioned from the concrete reaction to Arashi, this paper returns to the point of how the debate over the “Shinkyō-Shōsetsu” and the “Honkaku-Shōsetsu” had also been a clash of civilizations. It points out the problem that while the humor that Tōson conceived of while referring to Bashō was intended to serve as a methodology linking Japan and the West and surmounting the debate, it could also have potentially disregarded the framework of the Orient. | |||||||||
言語 | en | |||||||||
出版者 | ||||||||||
出版者 | 名古屋大学大学院人文学研究科附属超域文化社会センター | |||||||||
言語 | ja | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
資源タイプ | departmental bulletin paper | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
ID登録 | ||||||||||
ID登録 | 10.18999/juncture.12.176 | |||||||||
ID登録タイプ | JaLC | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | PISSN | |||||||||
収録物識別子 | 1884-4766 | |||||||||
書誌情報 |
ja : JunCture : 超域的日本文化研究 巻 12, p. 176-187, 発行日 2021-03-26 |