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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 12

島崎藤村「嵐」における〈ユーモア〉の志向とその帰趨 : 松尾芭蕉評価を補助線として

https://doi.org/10.18999/juncture.12.176
https://doi.org/10.18999/juncture.12.176
7f4cd11f-14d8-4da9-b591-12821237be03
名前 / ファイル ライセンス アクション
juncture_12_176.pdf juncture_12_176.pdf (1.7 MB)
Item type itemtype_ver1(1)
公開日 2021-05-19
タイトル
タイトル 島崎藤村「嵐」における〈ユーモア〉の志向とその帰趨 : 松尾芭蕉評価を補助線として
言語 ja
その他のタイトル
その他のタイトル The Intention of Humor in Shimazaki Tōson’s Arashi, and Its Consequences : Projecting on the Matsuo Bashō Critique
言語 en
著者 栗原, 悠

× 栗原, 悠

ja 栗原, 悠

en KURIHARA, Yutaka

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 島崎藤村
キーワード
主題Scheme Other
主題 松尾芭蕉
キーワード
主題Scheme Other
主題 ユーモア
キーワード
主題Scheme Other
主題 心境小説
キーワード
主題Scheme Other
主題 ナショナリズム
キーワード
主題Scheme Other
主題 Shimazaki Tōson
キーワード
主題Scheme Other
主題 Matsuo Bashō
キーワード
主題Scheme Other
主題 Humor
キーワード
主題Scheme Other
主題 Shinkyō-shōsetsu
キーワード
主題Scheme Other
主題 nationalism
内容記述
内容記述 1926 was a time of popular debate over the “Shinkyō-Shōsetsu” (meaning “novel of the state of mind”) and the “Honkaku-Shōsetsu” (meaning “authentic novel”) in literary circles. Among these, Arashi by Shimazaki Tōson, published in the journal Kaizō in September the same year, was highly acclaimed as a “Shinkyō-Shōsetsu” that perfectly depicted the author’s own subjectivity through the text. In contrast, the “Honkaku-Shōsetsu,” which problematizes the Oriental/Japanese style that holds the subjectivity of the “novel of the state of the mind” closely to oneself, models itself on Western novels and places the emphasis on objectivity to depict others and society. However, Arashi was also lauded from this perspective, and was ultimately appraised as an outstanding novel based on both of these contrasting standards. In order to first consider why this work was appraised in such an ambiguous way, this paper first focuses on the following points: that Matsuo Bashō’s name is frequently brought up as a model of the “novel of the state of the mind,” and that Tōson himself had expounded on the Bashō theory in an essay on his impressions during the same period. Taking these points into consideration, this paper then brings up the point that Toson’s argument covers Bashō’s argument with regard to humor and its affinity with children. At the same time, it affirms the contemporary context of the word “humor,” and picks up on how this has been woven into the motif of “arashi” (meaning “storm”) and the story structure as a line of reasoning for resolving the conflict between subjectivity and objectivity. In conclusion, while examining how this device functioned from the concrete reaction to Arashi, this paper returns to the point of how the debate over the “Shinkyō-Shōsetsu” and the “Honkaku-Shōsetsu” had also been a clash of civilizations. It points out the problem that while the humor that Tōson conceived of while referring to Bashō was intended to serve as a methodology linking Japan and the West and surmounting the debate, it could also have potentially disregarded the framework of the Orient.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属超域文化社会センター
言語
言語 jpn
資源タイプ
資源タイプresource http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.12.176
ID登録タイプ JaLC
収録物識別子
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 12, p. 176-187, 発行日 2021-03-26
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