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日本のモダニズム時代における「ロボット」イメージの変容
https://doi.org/10.18999/humfnu.4.109
https://doi.org/10.18999/humfnu.4.1093fdefbb0-4351-4222-b6f9-9357107cab52
名前 / ファイル | ライセンス | アクション |
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humfnu_4_109.pdf (1.5 MB)
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Item type | itemtype_ver1(1) | |||||||||
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公開日 | 2021-06-17 | |||||||||
タイトル | ||||||||||
タイトル | 日本のモダニズム時代における「ロボット」イメージの変容 | |||||||||
言語 | ja | |||||||||
その他のタイトル | ||||||||||
その他のタイトル | How the Image of “Robot” Changed in Japanese Modernism Period | |||||||||
言語 | en | |||||||||
著者 |
孫, 旻喬
× 孫, 旻喬
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | ロボット | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 機械芸術論 | |||||||||
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主題Scheme | Other | |||||||||
主題 | 大衆文化 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | robot | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | machine art | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | mass culture | |||||||||
内容記述 | ||||||||||
内容記述タイプ | Abstract | |||||||||
内容記述 | The word “robot” was made by Czech writer Karel Čapek in his play <R.U.R>. In this play, robot was described as a creature of artificial flesh rather than machinery. However, after this paly became popular in Europe and America, newspaper and magazines started using “robot” or “machine man” to describe mechanical inventions and changed the image of robot. <R.U.R> was also introduced to Japan during the 1920s. “Robot” was translated to “人造人間” or “ロボット” in Japanese, and the image of this word also changed with time. This paper first focus on Čapek’s <R.U.R>, summarizing the characteristic of robot’s original image. Secondly, this paper analyses how the image of robot was changed by newspaper and magazines in English text. At last, this paper pay attention to the image of robot in Japanese text. In Japanese text, robot was first understood as an artificial life with fresh and blood, but when the word referred to mechanical inventions in English text, the image of a robot also changed from flesh body to mechanical body in Japanese text. Many robots were introduced by Japanese newspaper and magazines as advanced inventions made by western country. At the same time, some Japanese intellectuals regarded robot’s mechanical body as a symbol of rationality. | |||||||||
言語 | en | |||||||||
出版者 | ||||||||||
出版者 | 名古屋大学大学院人文学研究科図書・論集委員会 | |||||||||
言語 | ja | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
資源タイプ | departmental bulletin paper | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
ID登録 | ||||||||||
ID登録 | 10.18999/humfnu.4.109 | |||||||||
ID登録タイプ | JaLC | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | PISSN | |||||||||
収録物識別子 | 2433-2321 | |||||||||
書誌情報 |
ja : 名古屋大学人文学フォーラム en : Humanities Forum, Nagoya University 巻 4, p. 109-123, 発行日 2021-03-31 |