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日中戦争と少女小説 : 火野葦平「花の命」/『花のいのち』の書き変えをめぐって
https://doi.org/10.18999/humfnu.4.125
https://doi.org/10.18999/humfnu.4.1259ab109ef-3585-4b72-a63f-f14c0c58aa6f
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humfnu_4_125.pdf (1.3 MB)
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Item type | itemtype_ver1(1) | |||||||||
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公開日 | 2021-06-17 | |||||||||
タイトル | ||||||||||
タイトル | 日中戦争と少女小説 : 火野葦平「花の命」/『花のいのち』の書き変えをめぐって | |||||||||
言語 | ja | |||||||||
その他のタイトル | ||||||||||
その他のタイトル | The Sino-Japanese War and Shōjo Novel : Hino Ashihei's Rewriting of “Hana no Inochi” | |||||||||
言語 | en | |||||||||
著者 |
小島, 秋良
× 小島, 秋良
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
キーワード | ||||||||||
主題Scheme | Other | |||||||||
主題 | 少女小説 | |||||||||
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主題Scheme | Other | |||||||||
主題 | 日中戦争 | |||||||||
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主題Scheme | Other | |||||||||
主題 | 火野葦平 | |||||||||
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主題Scheme | Other | |||||||||
主題 | 書き変え | |||||||||
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主題Scheme | Other | |||||||||
主題 | 検閲 | |||||||||
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主題Scheme | Other | |||||||||
主題 | Shōjo Novel | |||||||||
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主題Scheme | Other | |||||||||
主題 | The Sino-Japanese War | |||||||||
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主題Scheme | Other | |||||||||
主題 | Hino Ashihei | |||||||||
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主題Scheme | Other | |||||||||
主題 | rewriting | |||||||||
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主題Scheme | Other | |||||||||
主題 | censorship | |||||||||
内容記述 | ||||||||||
内容記述タイプ | Abstract | |||||||||
内容記述 | Hino Ashihei gained great popularity as a writer serving in army during the Sino-Japanese War. He receives sustained attention as a soldier writer to date, and studies on his works have been mostly limited to his best-selling ‘soldier trilogy’ (heitai sanbusaku), which are Wheat and Soldiers (Mugi to Heitai), Soil and Soldiers (Tsuchi to Heitai), and Flower and Soldiers (Hana to Heitai). This paper discusses the representation of the Sino-Japanese War not in ‘soldier trilogy’ targeted for general readers, but in works written for young girls, focusing on the shōjo novel “Hana no Inochi” (December,1940–August,1941), which was rewritten and published as Hana no Inochi (April,1949) after World War II. Following the Japan’s defeat, Hino was showered with severe criticism for his participation in war; he was purged from public office by the GHQ when rewriting the novel. Previous researches criticized Hino’s position as a writer for the reason that the postwar version of Hana no Inochi was a reiteration of his understanding of war which remained unchanged after the war. Nonetheless, by reviewing the historical backgrounds when each novel was published, this paper examines the issue of rewriting of Hana no Inochi and the reception of the novel. Concerning the wartime version, this paper focuses on the wartime stance of the magazine Shōjo no Tomo on which “Hana no Inochi” was published, and explores the meaning of writing Sino-Japanese War-related works for young girl readers. As for the postwar version, this paper identifies ways of rewriting with regard to GHQ’s censorship, and further examines changes in story settings unassociated with the censorship. This paper argues that the novel was accepted in Japan under the Cold War structure, and it indicates that the society’s understanding of China didn’t show drastic changes immediately after the war. The discussion of Hino’s postwar works considers the relationship between Hino and the Sino-Japanese War beyond the ‘soldier trilogy,’ and evaluates his role of recounting war experience to the generations to come. | |||||||||
言語 | en | |||||||||
出版者 | ||||||||||
出版者 | 名古屋大学大学院人文学研究科図書・論集委員会 | |||||||||
言語 | ja | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
資源タイプ | departmental bulletin paper | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
ID登録 | ||||||||||
ID登録 | 10.18999/humfnu.4.125 | |||||||||
ID登録タイプ | JaLC | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | PISSN | |||||||||
収録物識別子 | 2433-2321 | |||||||||
書誌情報 |
ja : 名古屋大学人文学フォーラム en : Humanities Forum, Nagoya University 巻 4, p. 125-140, 発行日 2021-03-31 |