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  1. A100 文学部/人文学研究科・文学研究科・国際言語文化研究科
  2. A100b 紀要
  3. JunCture : 超域的日本文化研究
  4. 13

物語に結像しない「女」 : 大石千代子『ベンゲット移民』をめぐって

https://doi.org/10.18999/juncture.13.138
https://doi.org/10.18999/juncture.13.138
2b0f48fe-2a65-48e7-88cb-b34cf5029034
名前 / ファイル ライセンス アクション
juncture_13_138.pdf juncture_13_138.pdf (1.2 MB)
Item type itemtype_ver1(1)
公開日 2022-04-18
タイトル
タイトル 物語に結像しない「女」 : 大石千代子『ベンゲット移民』をめぐって
言語 ja
その他のタイトル
その他のタイトル “Woman” who disappears from the story : Issues Surrounding Ōishi Chiyoko’s Benguet Emigrants
言語 en
著者 金子, 聖奈

× 金子, 聖奈

ja 金子, 聖奈

en KANEKO, Sena

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
キーワード
主題Scheme Other
主題 大石千代子
キーワード
主題Scheme Other
主題 国民
キーワード
主題Scheme Other
主題 からゆきさん
キーワード
主題Scheme Other
主題 フィリピン
キーワード
主題Scheme Other
主題 移民
キーワード
主題Scheme Other
主題 Oishi Chiyoko
キーワード
主題Scheme Other
主題 Japanese nationality
キーワード
主題Scheme Other
主題 Karayuki-san
キーワード
主題Scheme Other
主題 the Philippines
キーワード
主題Scheme Other
主題 Japanese emigrants
内容記述
内容記述 This paper examines the female writer Ōishi Chiyoko and approaches her novels through her ambivalent position as a “Japanese national” and a “woman” within a male-centered context. Ōishi’s 1939 novel Benguet Emigrants depicts Japanese emigrants engaged in road construction in Benguet, the Philippines around 1903. Although the novel was a candidate for the Akutagawa Prize, it was criticized for its ethnocentricity, and since then, Ōishi has been ill-received because she was believed to have contributed to nationalism. On the other hand, research to date has not addressed her postwar work, in which she portrayed the pain of being a “woman” and “wife” suppressed under the patriarchy. In this paper, I focus on this change of theme from pre- to post-WWII, and seek to reevaluate Ōishi’s image as an author through an analysis of Orin, a “Karayuki-san” (a name for Japanese prostitutes working abroad in Asian countries) who appears in Benguet Emigrants. In Benguet Emigrants, the character Orin represents a “Karayuki-san.” She threatens the homosociality of male Japanese emigrants by her lively talk. However, she is not recognized as a “Japanese national,” even as she is exploited for the purpose of colonial expansion. In order to self-approve themselves as “Japanese nationals,” Japanese male emigrants equate an accidental death in Benguet to a death in battle in the Russo-Japanese War, which results in Orin’s voice being excluded from the domain of the “nation” and even the “human.” By the end of the story, male Japanese emigrants acquire self-approval as a “national” through a strong sense of masculinity, but Orin unnaturally disappears from the story. Through the above analysis, this essay positions Orin as a notable character who makes the male-centered aspect of “Japanese nationals” visible and palpable. Unlike Orin who is exploited by the “national,” the author Ōishi Chiyoko belongs to the “national” as a prominent writer among the contemporary literary circle. Another reason that Ōishi has been positioned as nationalistic writer is because the novel holds a colonial perspective over the Philippines. However, Orin’s ability to speak her mind is entrusted with Ōishi’s hopes for a freedom of expression.
言語 en
内容記述タイプ Abstract
出版者
言語 ja
出版者 名古屋大学大学院人文学研究科附属超域文化社会センター
言語
言語 jpn
資源タイプ
資源タイプresource http://purl.org/coar/resource_type/c_6501
タイプ departmental bulletin paper
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ID登録
ID登録 10.18999/juncture.13.138
ID登録タイプ JaLC
助成情報
助成機関名 日本学術振興会
言語 ja
助成機関名 Japan Society for the Promotion of Science
言語 en
研究課題番号URI https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-21J20685/
研究課題番号 21J20685
研究課題名 日本近現代文学における〈フィリピン〉に関する「難民」表象の研究
言語 ja
収録物識別子
収録物識別子タイプ PISSN
収録物識別子 1884-4766
書誌情報 ja : JunCture : 超域的日本文化研究

巻 13, p. 138-149, 発行日 2022-03-30
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