{"_buckets": {"deposit": "428b17e2-40eb-4a4c-9c3b-eed587d98476"}, "_deposit": {"id": "2005125", "owners": [1], "pid": {"revision_id": 0, "type": "depid", "value": "2005125"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:02005125", "sets": ["1679031686319"]}, "author_link": [], "control_number": "2005125", "item_1615768549627": {"attribute_name": "出版タイプ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_9_alternative_title_19": {"attribute_name": "その他のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "Haruomi Hosono’s Imagination in the 1990s on Ambient Music", "subitem_alternative_title_language": "en"}]}, "item_9_biblio_info_6": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2023-03-23", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "20", "bibliographicPageStart": "8", "bibliographicVolumeNumber": "14", "bibliographic_titles": [{"bibliographic_title": "JunCture : 超域的日本文化研究", "bibliographic_titleLang": "ja"}]}]}, "item_9_description_4": {"attribute_name": "内容記述", "attribute_value_mlt": [{"subitem_description": "This paper focuses on the creative activities and thoughts of the Japanese musician Haruomi Hosono in the 1990s. At that time, Hosono had been immersed in ambient music. Ambient music is an auditory expression that consists of sustained synthesizer sounds and sampled sounds, and comparatively quiet and gradual transformations of sounds. In 1993, Hosono released a work called “Medicine Compilation”. This is his most important ambient music work. In 1995, Hosono wrote an essay titled “The Ambient Driver”. In it, he expressed his own thoughts on what is meant by ‘ambient’. In the process, he defended the values of marginalized cultures represented by Native Americans, while criticizing modern times. At the same time, however, he fell into occultism. He equated listening to ambient music with immersing himself in a transcendental world. It was possible that his attitude was not unrelated to Aum Shinrikyo, which caused incidents around 1995. To date, however, he has not specifically responded to his own responsibility for these circumstances. By the way, in the 2020s, ambient music has become popular with many people. In the “corona disaster”, people may be thinking that they want to listen to ambient music and be healed. Hosono said that people who listen to ambient music are introverts. The ambient music of the 1990s was associated with such politics, but the ambient music of the 2020s is listened to with such politics forgotten. By focusing on discourses in the 1990s and 2020s, this paper highlights the differences in how ambient music is heard.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_9_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.18999/juncture.14.8", "subitem_identifier_reg_type": "JaLC"}]}, "item_9_publisher_32": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "名古屋大学大学院人文学研究科附属超域文化社会センター", "subitem_publisher_language": "ja"}]}, "item_9_source_id_7": {"attribute_name": "収録物識別子", "attribute_value_mlt": [{"subitem_source_identifier": "1884-4766", "subitem_source_identifier_type": "PISSN"}]}, "item_access_right": {"attribute_name": "アクセス権", "attribute_value_mlt": [{"subitem_access_right": "open access", "subitem_access_right_uri": "http://purl.org/coar/access_right/c_abf2"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "広瀬, 正浩", "creatorNameLang": "ja"}, {"creatorName": "HIROSE, Masahiro", "creatorNameLang": "en"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_access", "date": [{"dateType": "Available", "dateValue": "2023-03-17"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "juncture_14_8.pdf", "filesize": [{"value": "1.4 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "mimetype": "application/pdf", "size": 1400000.0, "url": {"objectType": "fulltext", "url": "https://nagoya.repo.nii.ac.jp/record/2005125/files/juncture_14_8.pdf"}, "version_id": "b6f7de1e-fce2-4c50-b836-0d1bf05d5345"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "アンビエント・ミュージック", "subitem_subject_scheme": "Other"}, {"subitem_subject": "細野晴臣", "subitem_subject_scheme": "Other"}, {"subitem_subject": "ニューエイジ・ミュージック", "subitem_subject_scheme": "Other"}, {"subitem_subject": "聴覚文化", "subitem_subject_scheme": "Other"}, {"subitem_subject": "サウンドスタディーズ", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Ambient Music", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Haruomi Hosono", "subitem_subject_scheme": "Other"}, {"subitem_subject": "New Age Music", "subitem_subject_scheme": "Other"}, {"subitem_subject": "auditory culture", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Sound Studies", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "アンビエント・ミュージックをめぐる1990年代の細野晴臣の想像力", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "アンビエント・ミュージックをめぐる1990年代の細野晴臣の想像力", "subitem_title_language": "ja"}]}, "item_type_id": "40001", "owner": "1", "path": ["1679031686319"], "permalink_uri": "https://doi.org/10.18999/juncture.14.8", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2023-03-17"}, "publish_date": "2023-03-17", "publish_status": "0", "recid": "2005125", "relation": {}, "relation_version_is_last": true, "title": ["アンビエント・ミュージックをめぐる1990年代の細野晴臣の想像力"], "weko_shared_id": -1}