{"_buckets": {"deposit": "bc84d95e-35f8-4386-b0fa-a3fa055f96bb"}, "_deposit": {"id": "2005280", "owners": [1], "pid": {"revision_id": 0, "type": "depid", "value": "2005280"}, "status": "published"}, "_oai": {"id": "oai:nagoya.repo.nii.ac.jp:02005280", "sets": ["1680143093375"]}, "author_link": [], "control_number": "2005280", "item_1615768549627": {"attribute_name": "出版タイプ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_9_alternative_title_19": {"attribute_name": "その他のタイトル", "attribute_value_mlt": [{"subitem_alternative_title": "The T ransition of “Sublime Vulgarity” : The Artistic Conception in Akutagawa’s Middle Works", "subitem_alternative_title_language": "en"}]}, "item_9_biblio_info_6": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2023-03-31", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "306", "bibliographicPageStart": "291", "bibliographicVolumeNumber": "6", "bibliographic_titles": [{"bibliographic_title": "名古屋大学人文学フォーラム", "bibliographic_titleLang": "ja"}, {"bibliographic_title": "Humanities Forum, Nagoya University", "bibliographic_titleLang": "en"}]}]}, "item_9_description_4": {"attribute_name": "内容記述", "attribute_value_mlt": [{"subitem_description": "Around 1922, Akutagawa\u0027s views on art changed dramatically because of his experiences in China. As a result, he showed a tendency to negate his own conventional art style. His criticism of Chinoiserie and of the elitism of connoisseur\u0027s taste for its disregard of Naniwabushi are good examples of this. However, few previous studies have linked the influence of his travel to China to works that are not related to China, especially criticism of the connoisseur of fine arts. This article focuses on Akutagawa\u0027s changes in the middleperiod (1921-1924) and positions his criticism of the connoisseur\u0027s taste as a response to the reality of proletarian masses. By focusing on Akutagawa\u0027s term \u0027sublime vulgarity\u0027 (荘厳なる俗悪), I argue that Akutagawa attempted to deconstruct the dichotomy between vulgar and conventional art, and he did so to explore new artistic possibilities. Furthermore, this study argues that later in his career, Akutagawa removed the idea of vulgarity from the concept of \u0027sublime v ulgarity,\u0027 and used the idea of sublimity to point toward a form of proletarian literature. Additionally, by examining the term \u0027sublime vulgarity\u0027 critically from the angles of work analysis and Naniwabushi studies, this article tries to show that Akutagawa had a limited understanding of the proletarian society. This article\u0027s main conclusion is that the barely compatible combination of the realistic forces of proletarian masses and his classical view of art are the key features of Akutagawa\u0027s middle-period literature.", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_9_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.18999/humfnu.6.291", "subitem_identifier_reg_type": "JaLC"}]}, "item_9_publisher_32": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "名古屋大学大学院人文学研究科図書・論集委員会", "subitem_publisher_language": "ja"}]}, "item_9_source_id_7": {"attribute_name": "収録物識別子", "attribute_value_mlt": [{"subitem_source_identifier": "2433-2321", "subitem_source_identifier_type": "PISSN"}]}, "item_access_right": {"attribute_name": "アクセス権", "attribute_value_mlt": [{"subitem_access_right": "open access", "subitem_access_right_uri": "http://purl.org/coar/access_right/c_abf2"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "許, 可", "creatorNameLang": "ja"}, {"creatorName": "XU, Ke", "creatorNameLang": "en"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_access", "date": [{"dateType": "Available", "dateValue": "2023-03-31"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "humfnu_6_291.pdf", "filesize": [{"value": "941 KB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "mimetype": "application/pdf", "size": 941000.0, "url": {"objectType": "fulltext", "url": "https://nagoya.repo.nii.ac.jp/record/2005280/files/humfnu_6_291.pdf"}, "version_id": "300fc509-34c8-4e23-a876-6fd88d0d3f14"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "支那趣味", "subitem_subject_scheme": "Other"}, {"subitem_subject": "通人趣味", "subitem_subject_scheme": "Other"}, {"subitem_subject": "浪花節", "subitem_subject_scheme": "Other"}, {"subitem_subject": "民衆", "subitem_subject_scheme": "Other"}, {"subitem_subject": "荘厳さ", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Chinoiserie", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Connoisseur", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Naniwabushi", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Proletarian masses", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Sublimeness", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "「荘厳なる俗悪」の変遷 : 芥川龍之介の中期作品における芸術観", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "「荘厳なる俗悪」の変遷 : 芥川龍之介の中期作品における芸術観", "subitem_title_language": "ja"}]}, "item_type_id": "40001", "owner": "1", "path": ["1680143093375"], "permalink_uri": "https://doi.org/10.18999/humfnu.6.291", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2023-03-30"}, "publish_date": "2023-03-30", "publish_status": "0", "recid": "2005280", "relation": {}, "relation_version_is_last": true, "title": ["「荘厳なる俗悪」の変遷 : 芥川龍之介の中期作品における芸術観"], "weko_shared_id": -1}